Music Movement
Simultaneous with the constitutional revolution in Iran, the young musicians sought new forms of music to synchronize it with the tide of social changes. In 1937, Tehran's Symphonic orchestra started working and performing western as well as Iranian music. The 1979 revolution launched a renaissance in Persian classical music. Emergence of three ensembles namely, "Aref ensemble", "Sheyda ensemble" and "Masters of Persian Music" revolutionized Iranian music during late 20th century and at the turn of the millennium. New figures emerged in Persian Symphonic Music and several Symphony Orchestra started their works despite lack of supports from national governments and international bodies. The new wave can be characterized by growing interests in using both Iranian and European instruments and musical genres. Perhaps the best examples are Melal Orchestra and National Iranian Symphony Orchestra.
Moreover, folk music also enjoyed the emergence of figures as Sima Bina and Kamkar music band. These musicians introduced Iranian volks music (Music of Khorasan, Kurdish music, Bandari music, Mazandarani music etc.) to the international community by organizing numerous concerts worldwide.
Read more about this topic: Intellectual Movements In Iran
Famous quotes containing the words music and/or movement:
“I’ve come close to matching the feeling of that night in 1944 in music, when I first heard Diz and Bird, but I’ve never got there.... I’m always looking for it, listening and feeling for it, though, trying to always feel it in and through the music I play every day.”
—Miles Davis (1926–1991)
“The preservation of life seems to be rather a slogan than a genuine goal of the anti-abortion forces; what they want is control. Control over behavior: power over women. Women in the anti-choice movement want to share in male power over women, and do so by denying their own womanhood, their own rights and responsibilities.”
—Ursula K. Le Guin (b. 1929)