Indian painting has a very long tradition and history in Indian art. The earliest Indian paintings were the rock paintings of pre-historic times, the petroglyphs as found in places like Bhimbetka, some of them from before 5500 BC. India's Buddhist literature is replete with examples of texts which describe palaces of kings and the aristocratic class embellished with paintings, but the paintings of the Ajanta Caves are the most significant of the few survivals. Smaller scale painting in manuscripts was probably also practised in this period, though the earliest survivals are from the medieval period. Mughal painting represented a fusion of the Persian miniature with older Indian traditions, and from the 17th century its style was diffused across Indian princely courts of all religions, each developing a local style. Company paintings were made for British clients under the British raj, which from the 19th century also introduced art schools along Western lines, leading to modern Indian painting, which is increasingly returning to its Indian routes.
Indian paintings provide an aesthetic continuum that extends from the early civilization to the present day. From being essentially religious in purpose in the beginning, Indian painting has evolved over the years to become a fusion of various cultures and traditions.
Read more about Indian Painting: Sadanga of Indian Painting, Genres of Indian Painting, Murals, Rajput Painting, Mysore Painting, Tanjore Painting, Madhubani Painting, Pattachitra, Bengal School, Modern Indian Painting, Gallery, Some Notable Indian Paintings
Famous quotes containing the words indian and/or painting:
“We had not gone far before I was startled by seeing what I thought was an Indian encampment, covered with a red flag, on the bank, and exclaimed, Camp! to my comrades. I was slow to discover that it was a red maple changed by the frost.”
—Henry David Thoreau (18171862)
“If the man who paints only the tree, or flower, or other surface he sees before him were an artist, the king of artists would be the photographer. It is for the artist to do something beyond this: in portrait painting to put on canvas something more than the face the model wears for that one day; to paint the man, in short, as well as his features.”
—James Mcneill Whistler (18341903)