Early Digital Fine Art Printing
In the late 1980s Nash began to experiment with digital images of his photography on Macintosh computers with the assistance of R. Mac Holbert who at that time was the tour manager for Crosby, Stills, and Nash as well as handling computer/technical matters for the band. Nash ran into the problem common with all personal computers running graphics software during that period: he could create very sophisticated detailed images on the computer, but there was no output device (computer printer) capable of reproducing what he saw on the computer screen. Nash and Holbert initially experimented with early commercial printers that were then becoming available and printed many images on the large format Fujix inkjet printers at UCLA's JetGraphix digital output center. When Fuji decided to stop supporting the printers, John Bilotta, who was running JetGraphix, recommended that Nash and Holbert look into the IRIS printer, a new large format continuous-tone inkjet printer built for prepress proofing by IRIS Graphics, Inc. Through IRIS Graphics national sales rep Steve Boulter, Nash also met programmer David Coons, a color engineer for Disney, who was already using the IRIS printer there to print images from Disney’s new digital animation system.
Coons worked off hours at Disney to produce large images of 16 of Nash's photographic portraits on arches watercolor paper using Disney’s in-house model 3024 IRIS printer for an April 24, 1990 show at Simon Lowinsky gallery. Since most of the original negatives and prints had been lost in shipment to a book publisher, Coons had to scan contact sheets and enhance the images so they could be printed in large format. He used software he had written to output the photographic images to the IRIS printer, a machine designed to work with proprietary prepress computer systems.
In July 1990 Graham Nash purchased an IRIS Graphics 3047 inkjet printer for $126,000 and set it up in a small carriage house in Manhattan Beach, California near Los Angeles. David Coons and Steve Boulter used it to print an even larger November, 1990 show of Nash's work for Parco Stores in Tokyo. The show entitled Sunlight on Silver was a series of 35 celebrity portraits by Nash which were 3 feet by 4 feet in an edition of 50 prints per image, a total of 1,750 images. Subsequently, Nash exhibited his photographs at the Museum of Photographic Arts in San Diego and elsewhere.
Read more about this topic: Graham Nash
Famous quotes containing the words early, fine, art and/or printing:
“Early to bed, early to rise, work like hell and organize.”
—Albert Gore, Jr. (b. 1948)
“It seems to me that our three basic needs, for food and security and love, are so mixed and mingled and entwined that we cannot straightly think of one without the others. So it happens that when I write of hunger, I am really writing about love and the hunger for it, and warmth and the love of it and the hunger for it ... and then the warmth and richness and fine reality of hunger satisfied ... and it is all one.”
—M.F.K. Fisher (b. 1908)
“Take care to sell your horse before he dies. The art of life is passing losses on.”
—Robert Frost (1874–1963)
“It seems not more reasonable to leave the right of printing unrestrained, because writers may be afterwards censured, than it would be to sleep with doors unbolted, because by our laws we can hang a thief.”
—Samuel Johnson (1709–1784)