Genre fiction, also known as popular fiction, is fictional works (novels, short stories) written with the intent of fitting into a specific literary genre in order to appeal to readers and fans already familiar with that genre.
Genre fiction is often used interchangeably with the term popular fiction, and generally distinguished from literary fiction. The American screenwriting teacher Robert McKee defines genre conventions as the "specific settings, roles, events, and values that define individual genres and their subgenres." These conventions, always fluid, are usually implicit, but sometimes are made into explicit requirements by publishers of fiction as a guide to authors seeking publication.
Screen writers have to ensure that their stories conform to the guidelines—the closer the conformity, the greater their likelihood of being published. The publisher, for its part, is trying to meet the desires of its readers, who often have strong and specific expectations of the publisher's stories. Such "made-to-measure" writing is genre fiction in its purest form.
Most fiction writing, especially of novel length, does not conform so tightly to the conventions of a genre. Indeed, there is no consensus as to exactly what the conventions of any genre are, or even what the genres themselves are. Writers, publishers, marketers, booksellers, libraries, academics, critics, and even readers all may have different ways of classifying fiction, and any of these classifications might be termed a genre. (For example, one arguable genre of genre fiction—the airport novel—takes its name not from the subjects of its stories, but from the market where it is sold.) It is beyond doubt that readers have preferences for certain types of stories, and that there are writers and publishers who try to cater to those preferences, but the term genre remains amorphous, and the assigning of works to genres is to some extent arbitrary and subjective.
Read more about Genre Fiction: Genre and The Marketing of Fiction, Evolution of Fiction Genres, Age Categories, List of Genres
Other articles related to "fiction, genre fiction":
... In popular culture, formula fiction is literature in which the storylines and plots have been reused to the extent that the narratives are predictable ... It is similar to genre fiction, which identifies a number of specific settings that are frequently reused ... The label of formula fiction is used in literary criticism as a mild pejorative to imply lack of originality ...
... Inspirational fiction is a term that refers to fictional works with religious themes and aimed at a (typically) Christian audience ...
... Entertainment fiction adopts scientistic themes ... Spaceflight remained a central science fiction topic since the 1890s in In the Ocean of Stars (1892) by Anany Lyakide, In the Moon (1893) and Dreams of Earth and Skies (1895) by Konstantin Tsiolkovsky, Voyage to ... Russian audience grew interested in horror fiction ...
... Most significantly, it offers comic book, genre fiction, and free webtoons ... Users must pay publishers to use their comic book and genre fiction contents ... Comic books and genre fiction are provided by choosing either a flat rate plan or a meter rate plan ...
... in Hindi as Seva-sadan) Genre fiction Dope by Sax Rohmer - inspired by the true story of Limehouse dope-dealer Brilliant Chang Dope Darling by Leda Burke (David Garnett) (England) 1920 We by Yevgeny ... Lawrence - short stories Genre fiction The Murder of Roger Ackroyd by Agatha Christie (England) Plays Juno and the Paycock by Sean O'Casey The Vortex by Noël ... Gertrude Stein Heart of a Dog by Mikhail Bulgakov (Russia) Genre fiction Beau Geste by P ...
Famous quotes containing the words fiction and/or genre:
“... the main concern of the fiction writer is with mystery as it is incarnated in human life.”
—Flannery OConnor (19251964)
“We ignore thriller writers at our peril. Their genre is the political condition. They massage our dreams and magnify our nightmares. If it is true that we always need enemies, then we will always need writers of fiction to encode our fears and fantasies.”
—Daniel Easterman (b. 1949)