Edgar Allan Poe in Television and Film

Edgar Allan Poe In Television And Film

American poet and short story writer Edgar Allan Poe has had significant influence in television and film. Many are adaptations of Poe's work, others merely reference it.

Read more about Edgar Allan Poe In Television And Film:  Television

Famous quotes containing the words edgar allan poe, edgar allan, edgar, allan, poe, television and/or film:

    There is something in the unselfish and self-sacrificing love of a brute, which goes directly to the heart of him who has had frequent occasion to test the paltry friendship and gossamer fidelity of mere Man.
    Edgar Allan Poe (1809–1845)

    In the misty mid region of Weir—
    Edgar Allan Poe (1809–1849)

    If there was ever a dissenter from the national optimism ... it was surely Edgar Allan Poe—without question the bravest and most original, if perhaps also the least orderly and judicious, of all the critics that we have produced.
    —H.L. (Henry Lewis)

    As a viewed myself in a fragment of looking-glass..., I was so impressed with a sense of vague awe at my appearance ... that I was seized with a violent tremour.
    —Edgar Allan Poe (1809–1849)

    After reading all that has been written, and after thinking all that can be thought, on the topics of God and the soul, the man who has a right to say that he thinks at all, will find himself face to face with the conclusion that, on these topics, the most profound thought is that which can be the least easily distinguished from the most superficial sentiment.
    —Edgar Allan Poe (1809–1845)

    His [O.J. Simpson’s] supporters lined the freeway to cheer him on Friday and commentators talked about his tragedy. Did those people see the photographs of the crime scene and the great blackening pools of blood seeping into the sidewalk? Did battered women watch all this on television and realize more vividly than ever before that their lives were cheap and their pain inconsequential?
    Anna Quindlen (b. 1952)

    Film is more than the twentieth-century art. It’s another part of the twentieth-century mind. It’s the world seen from inside. We’ve come to a certain point in the history of film. If a thing can be filmed, the film is implied in the thing itself. This is where we are. The twentieth century is on film.... You have to ask yourself if there’s anything about us more important than the fact that we’re constantly on film, constantly watching ourselves.
    Don Delillo (b. 1926)