Plot
Big Willy Unleashed takes place before the events of Path of the Furon and after Destroy All Humans! 2. The game is set in 1975, 6 years after Destroy All Humans! 2 (1969). Cryptosporidium 138 and his mentor, Orthopox 13, attempt to support the popularity of Big Willy, a fast food restaurant Orthopox owns. Pox reveals that the Big Willy food franchise is actually a scheme to dispose of the human bodies Crypto leaves lying around.
Read more about this topic: Destroy All Humans! Big Willy Unleashed
Other articles related to "plot, plots":
... Scotland in 1567, she became the focus of numerous plots and intrigues to restore England to the Catholic fold ... against the queen, even if the claimant were ignorant of the plot, would be excluded from the line and executed ... provided for the execution of anyone who would benefit from the death of the Queen if a plot against her was discovered ...
... Zoltan opens another coffin shaken loose from the crypt, this one holding the body of an innkeeper, Nalder, who once owned the crypt ... Zoltan removes the stake from the innkeeper's chest, reanimating the innkeeper ...
... The points plotted in a Q–Q plot are always non-decreasing when viewed from left to right ... being compared are identical, the Q–Q plot follows the 45° line y = x ... the values in one of the distributions, then the Q–Q plot follows some line, but not necessarily the line y = x ...
... plot(x0,y0, x1,y1) dx=x1-x0 dy=y1-y0 D = 2*dy - dx plot(x0,y0) y=y0 for x from x0+1 to x1 if D > 0 y = y+1 plot(x,y) D = D + (2*dy-2*dx) else plot(x,y) D = D + (2*dy) Running ...
... Valjean arrives at Montfermeil on Christmas Eve ... He finds Cosette fetching water in the woods alone and walks with her to the inn ...
Famous quotes containing the word plot:
“After I discovered the real life of mothers bore little resemblance to the plot outlined in most of the books and articles I’d read, I started relying on the expert advice of other mothers—especially those with sons a few years older than mine. This great body of knowledge is essentially an oral history, because anyone engaged in motherhood on a daily basis has no time to write an advice book about it.”
—Mary Kay Blakely (20th century)
“James’s great gift, of course, was his ability to tell a plot in shimmering detail with such delicacy of treatment and such fine aloofness—that is, reluctance to engage in any direct grappling with what, in the play or story, had actually “taken place”Mthat his listeners often did not, in the end, know what had, to put it in another way, “gone on.””
—James Thurber (1894–1961)
“Those blessed structures, plot and rhyme—
why are they no help to me now
I want to make
something imagined, not recalled?”
—Robert Lowell (1917–1977)