Resemblance
Traditionally, depiction is distinguished from denotative meaning by the presence of a mimetic element or resemblance (see for example Wikipedia treatment of image and icon). A picture resembles its object in a way a word or sound does not. Resemblance is no guarantee of depiction, obviously. Two pens may resemble one another but do not therefore depict each other. To say a picture resembles its object especially is only to say that its object is that which it especially resembles; which strictly begins with the picture itself. Indeed, since everything resembles something in some way, mere resemblance as a distinguishing trait is trivial. Moreover, depiction is no guarantee of resemblance to an object. A picture of a dragon does not resemble an actual dragon. So resemblance is not enough.
Theories have tried either to set further conditions to the kind of resemblance necessary, or sought ways in which a notational system might allow such resemblance. The problem is resemblance is a two-way or symmetrical relation between parties; each equally resembles the other, while reference is one-way or asymmetrical, only one points to the other. Converting or combining them would seem to invite a fatal compromise.
Read more about this topic: Depiction
Famous quotes containing the word resemblance:
“Let us have compassion for those under chastisement. Alas, who are we ourselves? Who am I and who are you? Whence do we come and is it quite certain that we did nothing before we were born? This earth is not without some resemblance to a gaol. Who knows but that man is a victim of divine justice? Look closely at life. It is so constituted that one senses punishment everywhere.”
—Victor Hugo (1802–1885)
“Admiration. Our polite recognition of another’s resemblance to ourselves.”
—Ambrose Bierce (1842–1914)
“Meanwhile the mind from pleasure less
Withdraws into its happiness;
The mind, that ocean where each kind
Does straight its own resemblance find;
Yet it creates, transcending these,
Far other worlds and other seas,
Annihilating all that’s made
To a green thought in a green shade,”
—Andrew Marvell (1621–1678)