Cultural References To The Novel The Catcher in The Rye

Cultural References To The Novel The Catcher In The Rye

The 1951 novel The Catcher in the Rye by J. D. Salinger has had a lasting influence as it remains both a bestseller and a frequently challenged book. Numerous works in popular culture have referenced the novel. Factors contributing to the novel's mystique and impact include its portrayal of protagonist Holden Caulfield; its tone of sincerity; its themes of familial neglect, tension between teens and society, and rebellion; its previous banned status; and Salinger's reclusiveness.

The Catcher in the Rye has inspired "rewrites" which have been said to form their own genre. On the other hand, there are examples of similarities between the novel and other works that were not intended by their authors, which suggests that the novel is "present, at least spiritually, in ... any story line that involves quirky young people struggling to find their places in a society prone to reward conformity and condemn individuality."

While the novel is linked to several murders and murder attempts, it has been claimed that the novel's overall effect on society is "far more positive than negative."

The novel also helped popularize the slang verb "screw up".

Read more about Cultural References To The Novel The Catcher In The Rye:  Shootings, Films, Video Games, Books, Comic Strips, Music

Famous quotes containing the words cultural, the and/or rye:

    A culture may be conceived as a network of beliefs and purposes in which any string in the net pulls and is pulled by the others, thus perpetually changing the configuration of the whole. If the cultural element called morals takes on a new shape, we must ask what other strings have pulled it out of line. It cannot be one solitary string, nor even the strings nearby, for the network is three-dimensional at least.
    Jacques Barzun (b. 1907)

    Whatever is felt upon the page without being specifically named there—that, one might say, is created. It is the inexplicable presence of the thing not named, of the overtone divined by the ear but not heard by it, the verbal mood, the emotional aura of the fact or the thing or the deed, that gives high quality to the novel or the drama, as well as to poetry itself.
    Willa Cather (1873–1947)

    When as the rye reach to the chin,
    And chopcherry, chopcherry ripe within,
    Strawberries swimming in the cream,
    And school-boys playing in the stream;
    George Peele (1559–1596)