Los Angeles
In 1992, he moved to Los Angeles to pursue his career in film and television. Soon thereafter he began scoring feature films, most notably Sweethearts (1997) with Janeane Garofalo, and Jack Frost (1996), a horror comedy film. He wrote the music to 12 feature films for Mystique Films, and 13 feature film Scores for Indigo Films.
Schurtz worked with Jerry Seinfeld, on his only NBC television special, Oprah Winfrey on her ABC special (winning a Telly Award for the score), the Brady Bunch on a CBS special, Little Richard and Billy Preston in an ABC special, Robby Krieger (The Doors) on the authorized Harley-Davidson history. His television work led to scoring series for Showtime: Compromising Situations (18 episodes) and Hot Springs Hotel (14 episodes).
In 1996, began a post-production company and created final mixed audio tracks for broadcast and theatrical distribution (this comprises creating sound effects, backgrounds and foley effects, and combining these together into final mix). This company worked on 200 projects: feature films, television programs, commercials and interactive.
As Executive Film Producer, Schurtz produced Cow Camp for Kids, an award winning children's video and the feature film Speedway (aka the Last Road), starring Julie Strain.
Read more about this topic: Carl Schurtz, Film, Television and Media
Famous quotes by los angeles:
“Local television shows do not, in general, supply make-up artists. The exception to this is Los Angeles, an unusually generous city in this regard, since they also provide this service for radio appearances.”
—Fran Lebowitz (b. 1950)
“... when I finish reading People, I always feel that I have just spent four days in Los Angeles. Women’s Wear Daily at least makes me feel dirty; People makes me feel that I haven’t read or learned or seen anything at all.”
—Nora Ephron (b. 1941)
“Just because you live in LA it doesn’t mean you have to dress that way.”
—Advertising billboard campaign in Los Angeles, mounted by New York fashion house Charivari.
“Los Angeles gives one the feeling of the future more strongly than any city I know of. A bad future, too, like something out of Fritz Lang’s feeble imagination.”
—Henry Miller (1891–1980)
“Los Angeles is a Yukon for crime-story writers.”
—Christina Stead (1902–1983)