Bradford Kelleher - Metropolitan Museum of Art

Metropolitan Museum of Art

Kelleher had initially hoped to pursue a career as a cartoon animator. However, he was hired by the Metropolitan Museum of Art in 1949 after his father, William, ran into the museum's then director, Francis Henry Taylor, at the Century Club in New York City.

Kelleher was first hired as a sales manager for the Met. Soon after joining the Met, Kelleher created a new sales department, which was separate from the museum's information services. He opened a new museum gift shop, which was called the Art and Book Shop. At first, Kelleher's new Met store offered little more than a collection of postcards of museum objects and other trinkets. However, he soon began to act on plans to expand the store and sell reproductions of famous works of art.

Kelleher continued to supervise the Met store's expansion throughout the 1950s and 1960s. According to the New York Times, by the early 1960s Kelleher's store was selling a wide variety of items ranging from the traditional museum merchandise, such as books, to the less traditional, such as jewelry, prints and other collectibles.

As the museum's merchandising business grew, Kelleher began to focus on producing high quality replicas of the Met's vast collection of historical and artistic objects. He began began to travel overseas in order to find skilled artisans capable of reproducing the museum's collection for sale in the Met Store. Kelleher began commissioning a wide range of reproductions of the museum's artifacts in materials ranging from ceramic to bronze. The objects quickly became some of the most popular items offered for sale at Kelleher's Met Store. Among the most popular reproductions created by the Met Store and Kelleher was a likeness of a blue Egyptian hippopotamus figurine dating from between 1981 and 1885 B.C., that was dubbed "William"; (The museum's iconic blue hippo is now sold as a merchandise line, ranging from "William" puzzles and stuffed animals to pillows and magnets.)

Under Kelleher, the Met began to use its reproduction line as a way to support struggling artists and artisans. For example, in 1959 the Met hired a Chinese refugee who set up a temporary art studio in the museum's basement creating traditional ink rubbings, which were then sold directly to visitors to the museum, and hiring an Italian potter who made reproductions of a Pennsylvania Dutch plate.

Kelleher also supervised the building of reproduction workshops within the museum to ensure the quality of items sold at the Met Store. He defended the commercial and artistic aims of the Met's line of reproductions in a 1970 interview with the New York Times: "If it’s a faithful reproduction, it has educational value and it’s a way of giving the object wider circulation outside of the museum."

Kelleher was promoted to the museum's publisher in 1972. He was further promoted to vice president of the Met in 1978. Books published by Kelleher include Treasures from the Bronze Age of China: An Exhibition from the People's Republic of China (1980). He retired in 1986, but continued to work with the Metropolitan Museum of Art as an active consultant until his death in 2007 Two years after Kelleher's retirement, the Met opened its first satellite Met Store in Stamford, Connecticut, in 1988.