Architecture of The Medieval Cathedrals of England

Architecture Of The Medieval Cathedrals Of England

The medieval cathedrals of England, dating from between approximately 1040 and 1540, are a group of twenty-six buildings which together constitute a major aspect of the country’s artistic heritage and are among the most significant material symbols of Christianity. Though diversified in style, they are united by a common function. As cathedrals, each of these buildings serves as central church for an administrative region (or diocese) and houses the throne of a bishop (“cathedra” from the Greek). Each cathedral also serves as a regional centre and a focus of regional pride and affection.

Only sixteen of these buildings had been cathedrals at the time of the Reformation; eight being then served by secular canons, and a further eight being monastic. A further five cathedrals are former abbey churches, which were reconstituted with secular canons as cathedrals of new dioceses by Henry VIII following the dissolution of the monasteries; and which comprise, together with the former monastic cathedrals, the 'Cathedrals of the New Foundation'. Two further pre-Reformation monastic churches, which had survived as ordinary parish churches for 350 years, became cathedrals in the 19th and 20th centuries; as did the three medieval collegiate churches which had retained their foundations for choral worship.

While there are characteristics of each building which are distinctly English, these cathedrals are marked by their architectural diversity, both from one to another and also within each individual building. This is much more the case than in the medieval cathedrals of, for example, Northern France, where the cathedrals and large abbeys form a relatively homogenous group and the architectural development can easily be traced from building to building.

One of the points of interest of the English cathedrals is the way in which much of the history of medieval architecture can be demonstrated within a single building, which typically has important parts constructed in several different centuries with no attempt whatever to make the later work match or follow through on an earlier plan. For this reason a comprehensive architectural chronology must jump backwards and forwards from one building to another. Only at one building, Salisbury Cathedral, is stylistic unity demonstrated.

Read more about Architecture Of The Medieval Cathedrals Of England:  General Characteristics of English Cathedrals, Architectural Diversity, Architects

Other articles related to "architecture of the medieval cathedrals of england, medieval, cathedral":

Architecture Of The Medieval Cathedrals Of England - Architects
... The researches of John Harvey have uncovered the names of many English medieval architects, and by tracing stylistic characteristics, it has sometimes ... and they can often be identified from regular payments in cathedral accounts ... No architectural drawings survive for any English cathedral earlier than 1525 (although an engineer's design for a proposed new water supply at Canterbury cathedral priory exists in a 12th century plan) ...

Famous quotes containing the words england, medieval and/or architecture:

    At all events, as she, Ulster, cannot have the status quo, nothing remains for her but complete union or the most extreme form of Home Rule; that is, separation from both England and Ireland.
    George Bernard Shaw (1856–1950)

    Our medieval historians who prefer to rely as much as possible on official documents because the chronicles are unreliable, fall thereby into an occasionally dangerous error. The documents tell us little about the difference in tone which separates us from those times; they let us forget the fervent pathos of medieval life.
    Johan Huizinga (1872–1945)

    Polarized light showed the secret architecture of bodies; and when the second-sight of the mind is opened, now one color or form or gesture, and now another, has a pungency, as if a more interior ray had been emitted, disclosing its deep holdings in the frame of things.
    Ralph Waldo Emerson (1803–1882)