Cityscape and Architecture
The oldest structure is the Wat Phnom from the founding days of the city, constructed in 1373. The main tourist attractions are the Royal Palace with the Silver Pagoda, the National Museum, constructed during the French colonial era in the late 19th century in the classical Khmer style hosts a vast collection of Khmer antiquities; the Independence Monument (Khmer: Vimean Akareach), although modern from the 1950s, is also constructed in the ancient Khmer style.
The French, who were the colonial masters from the 19th century to the 1940s, also left their mark, with various colonial villas, French churches, boulevards, and the Art deco market Phsar Thom Thmei. A notable landmark of the colonial era is the Hotel Le Royal.
Starting with independence from the French in the 1950s and lasting until the era of the Khmer Rouge in the 1970s, Phnom Penh underwent tremendous growth as the capital city of a newly independent country. King Sihanouk was eager to present a new style of architecture and thus invigorate the process of nation building. A new golden era of architecture took off, with various projects and young Khmer architects, often educated in France, given opportunities to design and construct. This new movement was called "New Khmer Architecture" and was often characterised by a fusion of Bauhaus, European post-modern architecture, and traditional elements from Angkor. The most prominent architect was Vann Molyvann, who was nominated chief national architect by the king himself in 1956. Molyvann created landmark buildings such as the Preah Suramarit National Theatre and the Council of Ministers building, other architects helped construct the newly founded Royal Khmer University, the Institute of Foreign Languages and the National Sports Centre. With the growth of the upper and entrepreneurial middle class, new suburbs were built in the 1950s and 60s.
Although these buildings survived the Khmer Rouge era and the civil war, today they are under threat due to economic development and financial speculation. Villas and gardens from that era are being destroyed and redeveloped to make place for bigger structures. The landmark National Theatre by Molyvann was ripped down in 2008. A movement is rising in Cambodia to preserve this modernist heritage. Old villas are sometimes being converted into boutique hotels, such as the Knai Bang Chatt.
Monuments and memorials to the genocide during the Khmer Rouge era in the 1970s are the Tuol Sleng Genocide Museum (a former high school used as a concentration camp) and on the outskirt of the city the Choeung Ek Genocide Center. The Cambodia-Vietnam Friendship Monument was commissioned by the Vietnamese communists as symbol of Khmer-Vietnamese "friendship" during the late 1970s following the liberation of Cambodia from the Khmer Rouge.
|View of the National Museum, built in the early 1920s by George Groslier.||View of the Royal Throne Hall, constructed in the 1860s under King Norodom I.||Façade of the Hotel Le Royal, first established in 1929 under the reign of King Sisowath Monivong.||View of a Colonial villa in Phnom Penh.|
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“I dont think of form as a kind of architecture. The architecture is the result of the forming. It is the kinesthetic and visual sense of position and wholeness that puts the thing into the realm of art.”
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