Copies and Derivative Works
| Work | Description | Date | Medium | Size | Location |
|---|---|---|---|---|---|
| Portrait of Nikolaus Kratzer, after Holbein | c. 1528 | Oil on panel | 81.9 × 64.8 cm | National Portrait Gallery (London) | |
| Portrait of Desiderius Erasmus of Rotterdam, Holbein's workshop | c. 1530 | Oil and tempera on limewood | 18.2 × 14.5 cm | Kunstmuseum Basel | |
| Portrait of Sir Nicholas Carew, workshop or follower of Holbein | Probably 1530s | Oil and tempera on wood | 95.3 × 112 cm | Duke of Buccleuch, Drumlanrig Castle, Dumfries | |
| Portrait of an Unidentified Gentleman, workshop or follower of Holbein | 1535 | Oil on oak | 30.5 cm diameter | Metropolitan Museum of Art, New York | |
| Portrait of Sir Nicholas Poyntz, after Holbein | c.1535 | Oil on panel | 42.5 × 29.2 cm | National Portrait Gallery, London | |
| Portrait of an Unidentified Man, possibly Hans of Antwerp, workshop of Holbein | c. 1535–40 | Oil and tempera on oak | 13 cm diameter | Victoria and Albert Museum, London. | |
| Portrait of Jane Seymour, after Holbein | c. 1537 | Oil and tempera on oak | 26.3 × 18.7 cm | Mauritshuis, The Hague | |
| Portrait Miniature of Thomas Cromwell, after Holbein | c. 1537 | Watercolour and bodycolour on vellum | 4.4 cm diameter | National Portrait Gallery, London | |
| Portrait of Prince Edward, after Holbein | 16th century, after c. 1538 | Oil on panel | 59 × 44.5cm | Berger Collection, Denver Art Museum | |
| Portrait of Henry VIII, Holbein's workshop | c 1540 | Oil on oak | 88.2 × 75 cm | Galleria Nazionale d'Arte Antica, Rome | |
| Portrait of Elizabeth, Lady Rich, after Holbein | c 1540 | Oil and tempera on wood (probably oak) | 44.5 × 33.9 cm | Metropolitan Museum of Art, New York | |
| Portrait of Henry VIII in a Great Coat Holding a Staff, after Holbein | 1542 | Oil and tempera on oak | 92.7 × 66.7 cm | Castle Howard, Yorkshire | |
| Portrait Miniature of Hans Holbein the Younger, copy of Holbein's self-portrait, probably by Lucas Horenbout | 1543 | Watercolour on vellum mounted on playing card | 3.7 cm diameter | Wallace Collection, London | |
| Portrait of Henry VIII, after Holbein | After 1537, possibly c 1567 | Oil on canvas | 233.7 × 134.6 cm | Walker Art Gallery, Liverpool | |
| Portrait of Sir William Butts, after Holbein | c 1543 | Oil on panel | 47 × 37.5 cm | National Portrait Gallery, London | |
| Portrait of George Brooke, 9th Baron Cobham | After 1544 | Oil on panel | 32 cm diameter | Private collection | |
| Portrait Miniature of Thomas Wriothesley, 1st Earl of Southampton, after Holbein | Probably second half of 16th century | Watercolour on vellum laid on card | Oval of 5 × 3 cm | Metropolitan Museum of Art, New York | |
| The Family of Thomas More, by Rowland Lockey, after Holbein's lost painting | 1592 | Oil on canvas | Nostell Priory, West Yorkshire | ||
| Dresden Madonna, copy by Bartholomäus Sarburgh of Holbein's Darmstadt Madonna | c. 1635–37 | Oil on oak | 159 × 103 cm | Gemäldegalerie Alte Meister, Dresden | |
| Portrait of Johann Froben, after Holbein | 16th or beginning of 17th century, after an original of 1520–26 | Oil and tempera on oak | 39.5 × 33.5 cm | Kunstmuseum Basel | |
| Portrait of Desiderius Erasmus of Rotterdam, Holbein's workshop, with later additions | c. 1523–40, background c. 1629 | Oil on wood | 54.7 x 32.4 cm | Royal Collection, Windsor Castle | |
| Henry VII, Elizabeth of York, Henry VIII, and Jane Seymour, copy by Remigius van Leemput of Holbein's Whitehall Mural, destroyed by fire in 1698 | 1667 | Oil on canvas | 88.9 × 99.2 cm | Royal Collection, Windsor Castle |
Read more about this topic: List Of Paintings By Hans Holbein The Younger
Famous quotes containing the words copies, derivative and/or works:
“Not infrequently, we encounter copies of important human beings; and here, too, as in the case of paintings, most people prefer the copies to the originals.”
—Friedrich Nietzsche (1844–1900)
“Poor John Field!—I trust he does not read this, unless he will improve by it,—thinking to live by some derivative old-country mode in this primitive new country.... With his horizon all his own, yet he a poor man, born to be poor, with his inherited Irish poverty or poor life, his Adam’s grandmother and boggy ways, not to rise in this world, he nor his posterity, till their wading webbed bog-trotting feet get talaria to their heels.”
—Henry David Thoreau (1817–1862)
“The noble simplicity in the works of nature only too often originates in the noble shortsightedness of him who observes it.”
—G.C. (Georg Christoph)