Some articles on cmaj:
Harmonization - Reharmonization - Jazz Reharmonization - Chord Substitution
... Tritone substitution works very well on standards, because the chord progressions typically utilize the II - V - I progression and the circle of fifths ... For example, a jazz standard using a chord progression of Dm7 - G7 - Cmaj7 could easily be reharmonized to Dm7 - D♭7 - Cmaj7, (G7 is replaced with the dominant 7th chord a tritone away, D♭7) ...
... Tritone substitution works very well on standards, because the chord progressions typically utilize the II - V - I progression and the circle of fifths ... For example, a jazz standard using a chord progression of Dm7 - G7 - Cmaj7 could easily be reharmonized to Dm7 - D♭7 - Cmaj7, (G7 is replaced with the dominant 7th chord a tritone away, D♭7) ...
Ii-V-I Turnaround - Jazz
... The ii is sometimes replaced by the II7, giving it a more dissonant, bluesy feel this is especially common in turnarounds ... Additionally, the ii can be treated like a temporary minor tonic, and preceded by its own "ii-V", extending the basic progression to a iii-VI-ii-V-I again, this is quite common in turnarounds (with the iii-VI replacing the I in the second-to-last bar in the example above, the last two bars would change from F7
... The ii is sometimes replaced by the II7, giving it a more dissonant, bluesy feel this is especially common in turnarounds ... Additionally, the ii can be treated like a temporary minor tonic, and preceded by its own "ii-V", extending the basic progression to a iii-VI-ii-V-I again, this is quite common in turnarounds (with the iii-VI replacing the I in the second-to-last bar in the example above, the last two bars would change from F7
Dynamic Tonality - Example: C2ShiningC
... Cmaj 19-tet/harmonic -> Cmaj 5-tet/harmonic -> Cmaj 19-tet/consonant -> Cmaj 5-tet/consonant The timbre progresses from a harmonic timbre (with partials following the harmonic series) to a 'pseudo-harmonic' timbre (with ... from 380 cents in 19-tet (P5 = 695), where the Cmaj triad's M3 is very close in width to its just width of 386.3 cents, to 480 cents in 5-tet (P5 = 720), where the Cmaj triad's M3 is close in width to a ... Thus, the tuning progression's widening of the Cmaj's M3 from a nearly-just major third in 19-tet to a slightly flat perfect fourth in 5-tet creates harmonic tension, which is relieved by the return ...
... Cmaj 19-tet/harmonic -> Cmaj 5-tet/harmonic -> Cmaj 19-tet/consonant -> Cmaj 5-tet/consonant The timbre progresses from a harmonic timbre (with partials following the harmonic series) to a 'pseudo-harmonic' timbre (with ... from 380 cents in 19-tet (P5 = 695), where the Cmaj triad's M3 is very close in width to its just width of 386.3 cents, to 480 cents in 5-tet (P5 = 720), where the Cmaj triad's M3 is close in width to a ... Thus, the tuning progression's widening of the Cmaj's M3 from a nearly-just major third in 19-tet to a slightly flat perfect fourth in 5-tet creates harmonic tension, which is relieved by the return ...
Chord Names And Symbols (popular Music) - Rules To Decode Chord Names and Symbols - Examples
... Fifth Added C C maj3 perf5 C-E-G Major triad CM Cmaj C maj maj3 perf5 C-E-G Cm Cmin C min min3 perf5 C-E♭-G Minor triad C+ Caug C aug maj3 aug5 C-E-G ...
... Fifth Added C C maj3 perf5 C-E-G Major triad CM Cmaj C maj maj3 perf5 C-E-G Cm Cmin C min min3 perf5 C-E♭-G Minor triad C+ Caug C aug maj3 aug5 C-E-G ...
Motherisk
... the Motherisk team were recognized as one of the two highest-ranking winners of the 2011 CIHR/CMAJ competition for Top Achievements in Health Research ... The CMAJ published their Essay for the 2011 CIHR/CMAJ Award Motherisk — caring for mothers, protecting the unborn (Gideon Koren, MD, Irena Nulman, MD, Katarina Aleksa, PhD ...
... the Motherisk team were recognized as one of the two highest-ranking winners of the 2011 CIHR/CMAJ competition for Top Achievements in Health Research ... The CMAJ published their Essay for the 2011 CIHR/CMAJ Award Motherisk — caring for mothers, protecting the unborn (Gideon Koren, MD, Irena Nulman, MD, Katarina Aleksa, PhD ...
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