Reception
The movie received mixed reviews from critics, who described the film's content as too dark and intense for children. "Children are sure to be startled by the film's bleakness," said The New York Times's Janet Maslin. "It's bleak, creepy, and occasionally terrifying," added Dave Kehr of the Chicago Reader. The film earned $2,844,895 in its opening weekend, finishing in seventh place. The film ultimately grossed $11,137,801 in North America. It has since gained a cult following.
The film received an Academy Award nomination for "Best Visual Effects". Fairuza Balk and Emma Ridley were nominated for Young Artist Awards. The film received two Saturn Award nominations for Best Fantasy Film and Best Younger Actor (Fairuza Balk).
The film’s interpretation of Oz is featured in the Storybook Land Canal Boats attraction at Disneyland Resort Paris. Amelie Gillette of the The A.V. Club frequently refers to the film's dark nature as unsuitable for its intended audience of young children despite it being one of her favorite movies growing up. The film inspired a fan-made documentary titled Return To Oz: The Joy That Got Away, made especially for the Internet.
Read more about this topic: Return To Oz
Famous quotes containing the word reception:
“He’s leaving Germany by special request of the Nazi government. First he sends a dispatch about Danzig and how 10,000 German tourists are pouring into the city every day with butterfly nets in their hands and submachine guns in their knapsacks. They warn him right then. What does he do next? Goes to a reception at von Ribbentropf’s and keeps yelling for gefilte fish!”
—Billy Wilder (b. 1906)
“Aesthetic emotion puts man in a state favorable to the reception of erotic emotion.... Art is the accomplice of love. Take love away and there is no longer art.”
—Rémy De Gourmont (1858–1915)
“To the United States the Third World often takes the form of a black woman who has been made pregnant in a moment of passion and who shows up one day in the reception room on the forty-ninth floor threatening to make a scene. The lawyers pay the woman off; sometimes uniformed guards accompany her to the elevators.”
—Lewis H. Lapham (b. 1935)