Intelligent dance music (commonly IDM) is an electronic music genre that emerged in the early 1990s. The genre was originally influenced by developments in electronic dance music (EDM) such as Detroit Techno and various breakbeat styles that were emerging in the UK at that time. Stylistically, IDM tended to rely upon individualistic experimentation rather than adhering to musical characteristics associated with specific styles of EDM. The range of post-techno styles to emerge in the early 1990s were described variously as art techno, ambient techno, intelligent techno, and electronica. In the United States, the latter term is now used by the music industry as a catchall to describe EDM and its many derivatives.
The term IDM is said to have originated in the United States in 1993 with the formation of the IDM list, an electronic mailing list originally chartered for the discussion of music by (but not limited to) a number of prominent English artists, especially those appearing on a 1992 Warp Records compilation called Artificial Intelligence.
Usage of the term "Intelligent Dance Music" has been criticised by electronic musicians such as Aphex Twin and is seen by artists such as Mike Paradinas as being peculiar to the U.S.
Other articles related to "intelligent dance music, music, intelligent":
... British electronic music and techno artists, including Aphex Twin, Cylob, and Mike Paradinas, have criticised the term IDM ... A loaded term meant to distinguish electronic music of the '90s and later that's equally comfortable on the dancefloor as in the living room, IDM (Intelligent Dance Music) eventually ... interview, Aphex Twin commented on the 'Intelligent Dance Music' label I just think it's really funny to have terms like that ...
... The term 'intelligent dance music', or IDM, was coined in August 1993 by the IDM mailing list based at hyperreal.org, as a term to describe the sound pioneered by the Warp Records Artificial ... It's basically saying, 'this is intelligent and everything else is stupid.' It's really nasty to everyone else's music ...
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