Surrealism
Surrealism is a cultural movement that began in the early 1920s, and is best known for its visual artworks and writings.
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Some articles on surrealism:
... See also Women Surrealists Feminists have in the past critiqued Surrealism, claiming that it is fundamentally a male movement and a male fellowship, despite celebrated women Surrealists such as Leonora ... A pioneer in the feminist critique of Surrealism was Xavière Gauthier, whose book, Surréalisme et sexualité (1971), inspired further scholarship on the marginalization of women in relation to "the avant-garde ...
... While Surrealism is typically associated with the arts, it has been said to transcend them Surrealism has had an impact in many other fields ... In this sense, Surrealism does not specifically refer only to self-identified "Surrealists", or those sanctioned by Breton, rather, it refers to a range of creative acts ... that are grounded in the ideas of Hegel, Marx and Freud, Surrealism is seen by its advocates as being inherently dynamic and as dialectical in its thought ...
... In the 1920s several composers were influenced by Surrealism, or by individuals in the Surrealist movement ... which could be considered to be inspired by Surrealism, including the 1948 Ballet Paris-Magie (scenario by Lise Deharme), the Operas La Petite Sirène (book by Philippe Soupault) and Le Maître (b ... have been interested in—and found parallels to—Surrealism in the improvisation of jazz and the blues ...
... Freud initiated the psychoanalytic critique of Surrealism with his remark that what interested him most about the Surrealists was not their unconscious but their conscious ...
Famous quotes containing the word surrealism:
“Surrealism is not a school of poetry but a movement of liberation.... A way of rediscovering the language of innocence, a renewal of the primordial pact, poetry is the basic text, the foundation of the human order. Surrealism is revolutionary because it is a return to the beginning of all beginnings.”
—Octavio Paz (b. 1914)
“Instead of stubbornly attempting to use surrealism for purposes of subversion, it is necessary to try to make of surrealism something as solid, complete and classic as the works of museums.”
—Salvador Dali (1904–1989)
“If surrealism ever comes to adopt a particular line of moral conduct, it has only to accept the discipline that Picasso has accepted and will continue to accept.”
—André Breton (1896–1966)