Style and Influences
Though Scary Go Round does feature ongoing character arcs, and initially featured a lot of light horror content — influenced by print comic Scream!, J. Otto Seibold, Pete Fowler, Chris Sale, James Kochalka and Shag - it is primarily a comedy; however, it is not a joke comic of the classic setup-punchline format. Its quirky sense of humor manifests primarily in the characters' distinctive dialogue.
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Other articles related to "style and influences, influence, style":
... In the beginning, Yvon Deschamps' never-named "character" was distinguished by his spectacular naïvete, which served as a vehicle for Deschamps to tackle delicate subjects such as racism ... In Nigger Black, for instance, the character recalled boyhood surprise upon learning that "Nègres" were no more nor less than human beings like him, neither better nor worse Us, we had some on our street they lived in the same houses we did, went to the same schools ...
... and rhetorical display (as in the presentation before the King of Persia) and perhaps as well the influence of New Comedy ...
... His distinctive style of painting, in which he used watercolour technique with oil paints, created lightness, fluency, and ephemeral atmospheric effects ... A prime example of his mature style can be seen in Rain, Steam and Speed - The Great Western Railway, where the objects are barely recognizable ... of English painting, but later exerted an influence upon art in France, as well the Impressionists, particularly Claude Monet, carefully studied his techniques ...
... The septet designate their music "Dark Romantic Celtic Rock" ... Lyriel's repertoire ranges from medievally inspired ballads to hard rock pieces with elements of Classic and Folk music ...
... Cea Serin is regarded as a progressive metal band by many fans, though they often blend many different styles ... They could be defined as power metal, death metal, black metal, new age and neo-classical metal ...
Famous quotes containing the words influences and/or style:
“Whoever influences the child’s life ought to try to give him a positive view of himself and of his world. The child’s future happiness and his ability to cope with life and relate to others will depend on it.”
—Bruno Bettelheim (20th century)
“We think it is the richest prose style we know of.”
—Henry David Thoreau (1817–1862)