Olivier Messiaen - References and Further Reading - Other References

Other References

  • Anderson, Christine Lynn (1982). A Singer's Examination of Olivier Messiaen's "Harawi: Chant d'Amour et de Mort". D.M.A. diss. Cincinnati: University of Cincinnati.
  • Anderson, Shane Dewayne (1999). "Vingt regards sur l'Enfant-Jesus" by Olivier Messiaen: An Analysis of Its Content, Spiritual Significance and Performance Practice. D.M.A. diss. Austin: The University of Texas at Austin.
  • Aston, Stephanie Lynn (2011). "Journeys of Expression: An Examination of Four Twentieth and Twenty-First Century Vocal Works". D.M.A. diss. San Diego: University of California, San Diego.
  • Baggech, Melody Ann (1998). An English Translation of Olivier Messiaen's "Traite de Rythme, de Couleur, et d'Ornithologie". Norman: The University of Oklahoma.
  • Barash, Amari Pepper (2002). "Cadential Gestures in Post-Tonal Music: The Constitution of Cadences in Messiaen's "Ile de feu I" and Boulez' "Premiere Sonate", First Movement". D.M.A. diss. New York: City University of New York.
  • Barber, Charles (1991). "Messiaen and his Turangalila-symphonie". D.M.A. diss. Stanford: Stanford University.
  • Benitez, Vincent Perez, Jr (2001). "Pitch Organization and Dramatic Design in "Saint Francois d'Assise" of Olivier Messiaen". Ph.D. diss. Bloomington: Indiana University.
  • Benitez, Vincent P. (2004). "Aspects of Harmony in Messiaen's Later Music: An Examination of the Chords of Transposed Inversions on the Same Bass Note." Journal of Musicological Research 23/2:187–226.
  • Bernard, Jonathan W. (1986). "Messiaen's Synaesthesia: The Correspondence between Color and Sound Structure in His Music." Music Perception 4:41–68.
  • Boden, Ruth Adair (2008). "Performance Strategies for "Serenade" from Schoenberg's Pierrot Lunaire, and "Praise for the Eternity of Jesus" from Messiaen's Quartet for the End of Time". D.M.A. diss. Tuscaloosa: The University of Alabama.
  • Boivin, Jean (1993). "La Classe de Messiaen: Historique, reconstitution, impact". Ph.D. diss. Montreal: Ecole Polytechnique, Montreal.
  • Boswell-Kurc, Lilise (2001). "Olivier Messiaen's Religious War-Time Works and Their Controversial Reception in France (1941–1946) ". Ph.D. diss. New York: New York University.
  • Bowlby, Christopher S. (2005). "Vingt régards sur l'enfant-Jesus: Messiaen's Means of Conveying Extra-Musical Subtext". D.M.A. diss. Seattle: University of Washington.
  • Bradbury, William C, II (1991). "Huracan for Wind Ensemble (Original Composition); and 'Messiaen and Gamelan: An Analysis of Gamelan in the Turangalila-symphonie". D.M.A. diss. Ithaca: Cornell University.
  • Bruhn, Siglind (1997). Images and Ideas in Modern French Piano Music: The Extra-Musical Subtext in Piano Works by Ravel, Debussy, and Messiaen. Stuyvesant, N.Y.: Pendragon Press. ISBN 0-945193-95-5.
  • Burger, Cole Philip (2009). "Olivier Messiaen's Vingt Régards sur l'enfant-Jesus: Analytical, Religious, and Literary Considerations". D.M.A. diss. Austin: The University of Texas at Austin.
  • Burns, Jeffrey Phillips (1995). "Messiaen's Modes of Limited Transposition Reconsidered". M.M. thesis, Madison: University of Wisconsin-Madison.
  • Carroll, Kenneth Don (1992). "The Influence of Olivier Messiaen on Brillance and the Concerto pour Saxophone-alto et Orchestre by Ida Gotkovsky: An Analytical Study". D.M.A. diss. Athens, GA: University of Georgia
  • Case, Del Williams (1973). "A Study and Performance of Three Organ Works by Langlais, Dupre, and Messiaen". D.M.A. diss. Los Angeles: University of Southern California.
  • Chen, Jo-Yu (2005). "A Curricular Prototype to Enhance Compositional Skills Through Improvisation Based on Messiaen's Quatuor pour la fin du temps". Ed.D. diss. New York: Columbia University Teachers College.
  • Conrad, Bridget F. (1994). "The Sources of Jolivet's Musical Language and His Relationships with Varese and Messiaen". 2 volumes. Ph.D. diss. New York: City University of New York.
  • Derfler, Barbara Joan (1999). "Claude Debussy's Influence on Olivier Messiaen: An Analysis and Comparison of Two Preludes". M.Mus. thesis. Edmondton: University of Alberta.
  • Donelson, Jennifer (2008). "Musical Technique and Symbolism in 'Noel' from Olivier Messiaen's Vingt Regards sur l'Enfant Jesus": A Defense of Messiaen's Words and Music". D.M.A. diss. Lincoln: The University of Nebraska - Lincoln,
  • Dukes, Leslie Dianne (1998). "An Exploration of Olivier Messiaen's Piano Style and Application of Color in Le baiser de l'Enfant-Jesus and Le courlis cendre". Tucson: The University of Arizona.
  • Fallon, Robert Joseph (2005). "Messiaen's Mimesis: The Language and Culture of The Bird Styles". Ph.D. diss. Berkeley: University of California, Berkeley.
  • Fancher, Joseph Eugene (2003). "Pitch Organization in the Turangalila-Symphonie of Olivier Messiaen". Ph.D. diss. Eugene: University of Oregon.
  • Festa, Paul (2008). Oh My God: Messiaen in the Ear of the Unbeliever. San Francisco: Bar Nothing Books.
  • Gillock, Jon (2009). Performing Messiaen's Organ Music: 66 Masterclasses. Indiana University Press, Bloomington, Indiana. ISBN 978-0-253-35373-3
  • Hardink, Jason M. (2007). "Messiaen and Plainchant". D.M.A. diss. Houston: Rice University.
  • Harris, Joseph Edward (2004). "Musique coloree: Synesthetic Correspondence in the Works of Olivier Messiaen". Ph.D. diss. Ames: The University of Iowa.
  • Hickman, Melinda Lee (2001). "Meaning in Piano Music with a Religious Theme: A Philosophical and Historical Approach". D.M.A. diss. Cincinnati: University of Cincinnati
  • Hill, Camille Crunelle (1996). "The Synthesis of Messiaen's Musical Language in His Opera Saint Francois d'Assise". Ph.D. diss. Lexington: University of Kentucky.
  • Hill, Matthew Richard (1995). "Messiaen's Regard du silence as an Expression of Catholic Faith". D.M.A. diss. Madison: The University of Wisconsin, Madison.
  • Hill, Peter; Simeone, Nigel (2007). Olivier Messiaen: Oiseaux exotiques. Ashgate. ISBN 978-0-7546-5630-2.
  • Hopkins, Stephen O'Bryan (1993). "A Comparative Analysis of Selected Works of Alexander Scriabin and Olivier Messiaen for Solo Piano". Ph.D. diss. Tallahassee: The Florida State University.
  • Hwang, Hyun Jung (2006). "Incorporating Spiritual Symbolism in Musical Composition: Olivier Messiaen's Orchestral Works, 1963—1969, and 'The Scripture Was Fulfilled', Choral Setting for Mixed Choir and orchestra". 2 vols. Ph.D. diss. Los Angeles: University of California, Los Angeles.
  • Irvine, Catherine Anne (1999). "The Interrelations of Formal Structure, Harmony, Register, and Instrumentation in Messiaen's Un sourire". M.Mus. thesis. London, ONT: The University of Western Ontario.
  • Jancarz, Christine Louise (2007). "Symphonic Imagery, An Original Composition and an Examination of Three Similar Programmatic Compositions". D.M.A. diss. Coral Gables: University of Miami
  • Kraft, David (2000). "Birdsong in the Music of Olivier Messiaen". PhD diss., University of Middlesex.
  • Laycock, Gary Eng Yeow (2010). "Re-evaluating Olivier Messiaen's Musical Language from 1917 to 1935". Ph.D. diss. Bloomington: Indiana University, 2010
  • Lee, Chi-Kuen (Martin) (2011). "The Charm of Impossibilities: Musical Language, Theology and Narrative Discourse in Olivier Messiaen's Et exspecto resurrectionem mortuorum" Ph.D. diss. Buffalo: State University of New York at Buffalo.
  • Lee, Hyeweon (1992). "Olivier Messiaen's Vingt Regards sur l'Enfant-Jesus: A Study of Sonority, Color, and Symbol". D.M.A. diss. Cincinnati: University of Cincinnati.
  • Lee, Hye-Young (2006). "Tracing Messiaen in Naji Hakim's Le Tombeau d'Olivier Messiaen". D.M.A. diss. Denton: University of North Texas.
  • Lee, Yun (2009). "Symmetry and Symbolic Language in Olivier Messiaen's Poemes pour Mi: A Musical Reflection on Divine and Conjugal Love". D.M.A. diss. Boston: Boston University
  • Leigh, Jeff (2010). "A Hidden Theology: Pitch Association and Symbolism in Olivier Messiaen's Meditations sur le Mystere de la Sainte Trinite" Ph.D. diss. New York: City University of New York.
  • Leonard, Jill (2007). "Three Solos de Concours from the Paris Conservatoire". M.M. thesis. Long Beach: California State University, Long Beach.
  • Lin, Yi-Ting (1999). "A Comparison of Scriabin's Last Five Piano Sonatas and Messiaen's Vingt Regards sur l'Enfant Jesus: Analyses of Sonata No. 7, and Contemplations I, IV, and XX". D.M.A. diss. Fort Worth: Southwestern Baptist Theological Seminary.
  • Luchese, Diane (1998). "Olivier Messiaen's Slow Music: Glimpses of Eternity in Time". Ph.D. diss. Evanston: Northwestern University
  • McGinnis, Margaret Elizabeth (2003). "Playing the Fields: Messiaen, Music, and the Extramusical". Ph.D. diss. Chapel Hill: The University of North Carolina at Chapel Hill.
  • Matossian, Nouritza. 1986. Xenakis. London: Kahn and Averill. ISBN 1-871082-17-X
  • Ming, Christina Tio (2000). "The Avant Garde and Its 'Others': Orientalism in Contemporary Art Music". Ph.D. diss. Southampton: University of Southampton.
  • Nelson, David Lowell (1992). "An Analysis of Olivier Messiaen's Chant Paraphrases". 2 vols. Ph.D. diss. Evanston: Northwestern University
  • Ngim, Alan Gerald (1997). "Olivier Messiaen as a Pianist: A Study of Tempo and Rhythm Based on His Recordings of Visions de l'amen". D.M.A. diss. Coral Gables: University of Miami.
  • Nguyen, Quynh T. (2009). "An Analysis of Olivier Messiaen's Last Piano Solo Work: Les Petites Esquisses d'oiseaux". D.M.A. diss. New York: City University of New York.
  • Oh, Seung-Ah (2005). "Olivier Messiaen's Composition Techniques in Reveil des Oiseaux". Ph.D. diss. Waltham, MA: Brandeis University * Puspita, Amelia (2008). "The Influence of Balinese Gamelan on the Music of Olivier Messiaen". D.M.A. diss. Cincinnati: University of Cincinnati
  • Peterson, Larry Wayne (1973). "Messiaen and Rhythm: Theory and Practice". Ph.D. diss. Chapel Hill: The University of North Carolina at Chapel Hill
  • Randles, Kathleen Martha (1992). "Exoticism in the Melodie: The Evolution of Exotic Techniques as Used in Songs by David, Bizet, Saint-Saens, Debussy, Roussel, Delage, Milhaud, and Messiaen". D.M.A. diss. Columbus: The Ohio State University.
  • Reverdy, Michèle (1988). L'Œuvre pour orchestre d'Olivier Messiaen. Paris: Alphonse Leduc. ISBN 2-85689-038-5.
  • Rischin, Rebecca (2003). For the End of Time: The Story of the Messiaen Quartet. Ithaca, N.Y.: Cornell University Press. ISBN 0-8014-4136-6.
  • Rogers Reeves, Janice Elaine (1997). "Theological Symbolism in Olivier Messiaen's Poemes pour Mi: An Interpretive and Set Theoretic Analysis". D.M.A. diss. Kansas City: University of Missouri, Kansas City.
  • Rogosin, David (1996). "Aspects of Structure in Olivier Messiaen's Vingt Regards sur l'Enfant-Jesus". D.M.A. diss. Vancouver: The University of British Columbia.
  • Romza, Patricia-Andrea (1997). "Female-Choir Music by French Composers: An Annotated Bibliography of Selected Works". D.M.A. diss. Athens, GA: University of Georgia.
  • Savli, Peter (1999). "Harmonic Density in Messiaen". D.M.A. diss. Ithaca: Cornell University.
  • Shenton, Andrew David James (1998). "The Unspoken Word: Olivier Messiaen's 'langage communicable'". Ph.D. diss. Cambridge: Harvard University.
  • Snavely, Andrea L. (2004). "The Role of Statistical Cues in the Segmentation of Post-Tonal Music". Ph.D. diss. Madison: The University of Wisconsin.
  • Stephens, Michael (2007). "Two Ways of Looking at Messiaen's Vingt Regards sur l'Enfant-Jesus, with, Baptism (An Original Composition for Chamber Orchestra)". Ph.D. diss. Pittsburgh: University of Pittsburgh
  • Stimson, Ann Michelle (1996). "Musical Time in the Avant-Garde: The Japanese Connection". Ph.D. diss. Santa Barbara: University of California, Santa Barbara.
  • Sun, Shu-Wen (1995). Birdsong and Pitch-Class Sets in Messiaen's "L'Alouette Calandrelle". D.M.A. diss. Eugene: University of Oregon.
  • Toop, Richard (1974). "Messiaen / Goeyvaerts, Fano / Stockhausen, Boulez." Perspectives of New Music 13, no. 1 (Fall-Winter): 141–69.
  • Wardell, Xiaoman Zhang (1996). An Examination of Selected Contemporary Works Composed by Means of Numbers. D.M.A. diss. Claremont: The Claremont Graduate University.
  • Waumsley, Stuart (1975). The Organ Music of Olivier Messiaen (New ed.). Paris: Alphonse Leduc. OCLC 2911308; LCCN 77-457244.
  • Welsh Ibanez, Deborah (2005). Color, Timbre, and Resonance: Developments in Olivier Messiaen's Use of Percussion Between 1956—1965. D.M.A. diss. Coral Gables: University of Miami
  • White Luckow, Heather (2011). La Marque du maitre: Messiaen's Influence on Québécois Composers Serge Garant, Clermont Pepin and Andre Prevost. Ph.D. diss. Montreal: McGill University.
  • Whitmore, Brooks Blaine (2000). Rhythmic Techniques in Olivier Messiaen's "Vingt Regards sur l'Enfant-Jesus". D.M.A. diss. Austin: The University of Texas at Austin.
  • Wong, Ren-Liang (1992). Volume I. A Brief Analysis of the "Turangalila" movements of Olivier Messiaen's "Turangalila" Symphony. Volume II. Tone poem for full orchestra. (Original composition). Ph.D. diss. Los Angeles: University of California, Los Angeles.
  • Zheng, Zhong (2004). A Study of Messiaen's Solo Piano Works. Ph.D. diss. Hong Kong: The Chinese University of Hong Kong.

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