Formerly Depicted Abilities
In The Fantastic Four #9 (Dec. 1962), Namor states, "I have the powers of all the creatures who live beneath the sea! I can charge the very air with electricity — using the power of the electric eel!" In the same issue, "the radar sense of the cave fish from the lowest depths of the sea" enables him to sense the presence of Sue Storm when she is invisible. He uses "the power to surround himself with electricity in the manner of an electric eel" again in Strange Tales #107 (April 1963), and #125 (Oct. 1964); in the former he also manifests the power to inflate his body like a puffer fish. These extra powers were ignored, however, when Marvel gave Namor his own feature beginning in Tales to Astonish #70 (Aug. 1965).
Another ability unknown in the Golden Age and rarely displayed is his telepathic rapport with many forms of marine life. He also had a limited empathic rapport with Namorita. But, only as a result of being given one of her "magic earrings" (which has long-since disappeared).
An editorial note in Marvel Tales #9 (July 1967), which reprinted the story from Strange Tales #107, stated explicitly that "nautical Namor has since lost his power to imitate the characteristics of fish..." His electrical abilities were, however, seen out of comic continuity in 1991's Spider-Man: The Video Game. Furthermore, Namor employed these "lost" powers semi-regularly in his 1990s series, under John Byrne's pen.
In his first battle against the original Human Torch, Namor twice spouted water from his body in a manner explicitly likened to a sprinkler system.
Famous quotes containing the words abilities and/or depicted:
“Your friends praise your abilities to the skies, submit to you in argument, and seem to have the greatest deference for you; but, though they may ask it, you never find them following your advice upon their own affairs; nor allowing you to manage your own, without thinking that you should follow theirs. Thus, in fact, they all think themselves wiser than you, whatever they may say.”
—William Lamb Melbourne, 2nd Viscount (17791848)
“Et in Arcadia ego.
[I too am in Arcadia.]”
Tomb inscription, appearing in classical paintings by Guercino and Poussin, among others. The words probably mean that even the most ideal earthly lives are mortal. Arcadia, a mountainous region in the central Peloponnese, Greece, was the rustic abode of Pan, depicted in literature and art as a land of innocence and ease, and was the title of Sir Philip Sidneys pastoral romance (1590)