a. ^ Alternative transliterations used in Western media: Muthathar, Muntadhar, Muntadar, Muntazer, Muthathi; al-Zeidi also transliterated as "Zeidi" is an Arabic name, meaning abundance or growth or "one who progresses and makes other people progress."
Read more about this topic: Muntadhar Al-Zaidi
Other articles related to "notes, note":
... The treasury also issued notes that year for 25 up to 1000 francs ... In 1800, the Bank of France began issuing notes, first in denominations of 500 and 1000 francs ... In the late 1840s, 100- and 200-franc notes were added, while 5-, 20- and 50- francs were added in the 1860s and 70s, although the 200-franc note was discontinued ...
... ignited, on fire acciaccato broken down, crushed the sounding of the notes of a chord not quite simultaneously, but from bottom to top ... a very fast grace note that is "crushed" against the note that follows and takes up no value in the measure accompagnato accompanied i.e ... tone (see sul ponticello in this list) amabile amiable, pleasant amoroso loving anacrusis a note or notes that precede the first full bar a pickup ...
... tacet silent do not play tasto solo 'single key' used on a continuo part to indicate that the notes should be played without harmony tempo time i.e ... touch on a note slightly longer than usual, but without generally altering the note's value ternary having three parts ... a rapid repetition of the same note, or an alternation between two or more notes (often an octave on the piano) ...
Famous quotes containing the word notes:
“The soft complaining FLUTE
In dying Notes discovers
The Woes of hopeless Lovers,
Whose Dirge is whisperd by the warbling LUTE.”
—John Dryden (16311700)
“Lap me in soft Lydian airs,
Married to immortal verse,
Such as the meeting soul may pierce
In notes with many a winding bout
Of linked sweetness long drawn out,
With wanton heed and giddy cunning,
The melting voice through mazes running,
Untwisting all the chains that tie
The hidden soul of harmony;”
—John Milton (16081674)
“The drama critic on your paper said my chablis-tinted hair was like a soft halo over wide set, inviting eyes, and my mouth, my mouth was a lush tunnel through which golden notes came.”
—Samuel Fuller (b. 1911)