Return To Paris
Molière was forced to reach Paris in stages, staying outside for a few weeks in order to promote himself with society gentlemen and allow his reputation to feed in to Paris. Molière reached Paris in 1658 and performed in front of the King at the Louvre (then for rent as a theatre) in Corneille's tragedy Nicomède and in the farce Le Docteur amoureux (The Doctor in Love), with some success. He was awarded the title of Troupe de Monsieur (Monsieur being the honorific for the king's brother Philippe I, Duke of Orléans). With the help of Monsieur, his company was allowed to share the theatre in the large hall of the Petit-Bourbon with the famous Italian Commedia dell'arte company of Tiberio Fiorillo, famous for his character of Scaramouche. (The two companies performed in the theatre on different nights.) The premiere of Molière's Les Précieuses ridicules (The Affected Young Ladies) took place at the Petit-Bourbon on November 18, 1659.
Les Précieuses ridicules was the first of Molière's many attempts to satirize certain societal mannerisms and affectations then common in France. It is widely accepted that the plot was based on Samuel Chappuzeau's Le Cercle des femmes of 1656. He primarily mocks the Académie Française, a group created by Richelieu under a royal patent to establish the rules of the fledgling French theater. The Académie preached unity of time, action, and styles of verse. Molière is often associated with the claim that comedy castigat ridendo mores or "criticises customs through humour," a phrase in fact coined by his contemporary Jean de Santeuil and sometimes mistaken for a classical Latin proverb.
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Famous quotes containing the words paris and/or return:
“If you are lucky enough to have lived in Paris as a young man, then wherever you go for the rest of your life it stays with you, for Paris is a moveable feast.”
—Ernest Hemingway (18991961)
“O God of our flesh, return us to Your wrath,
Let us be evil could we enter in
Your grace, and falter on the stony path!”
—Allen Tate (18991979)