Works
| Song Title | Romanized Title | Performed by | Date |
|---|---|---|---|
| Sea Loves You～キッスで殺して | Sea Loves You: Kissu de Koroshite | Hidemi Ishikawa | 1985-08-25 |
| 赤いスピード・スター | Akai Speed Star | Hidemi Ishikawa | 1985-12-18 |
| 哀しみのカーニバル | Kanashimi no Carnival | Hidemi Ishikawa | 1985-12-18 |
| 素敵な勇気 | Suteki na Yūki | Hidemi Ishikawa | 1987-07-13 |
| デス・トラップ | Death Trap | Hidemi Ishikawa | 1987-10-14 |
| Shadow Summer | Shadow Summer | Hidemi Ishikawa | 1986-07-09 |
| サイレンの少年～遠くで抱きしめて～ | Siren no Shōnen: Tōku de Dakishimete | Hidemi Ishikawa | 1985-12-18 |
| 八月のジプシー | Hachigatsu no Gypsy | Hidemi Ishikawa | 1985-08-25 |
| ウインター・リポート | Winter Report | Hidemi Ishikawa | 1985-12-18 |
| Rain Glass | Rain Glass | Hidemi Ishikawa | 1986-07-09 |
| Maria | Maria | Jun\'ichi Inagaki | 1983-09-01 |
| 夏のクラクション | Natsu no Klaxon | Jun'ichi Inagaki | 1983-07-21 |
| 悲しきダイアモンドリング | Kanashiki Diamond Ring | Jun'ichi Inagaki | 1984-05-19 |
| 恋のプラネットサーカス | Koi no Planet Circus | Jun'ichi Inagaki | 1984-05-19 |
| A Glass of the Sorrow | A Glass of the Sorrow | Jun'ichi Inagaki | 1986-03-01 |
| 思い出のビーチクラブ | Omoide no Peach Club | Jun'ichi Inagaki | 1987-03-04 |
| 悲しみは優し過ぎて | Kanashimi wa Yasashisugite | Jun'ichi Inagaki | 1989-04-19 |
| Misty Blue | Misty Blue | Jun'ichi Inagaki | 1989-04-19 |
| セブンティー･カラーズ･ガール | Seventy Colors Girl | Jun'ichi Inagaki | 1989-01-25 |
| Memory Flickers | Memory Flickers | Jun'ichi Inagaki | 1989-01-25 |
| Love is Hard Business | Love is Hard Business | Jun'ichi Inagaki | 1991-04-03 |
| Truth | Truth | Jun'ichi Inagaki | 1991-04-03 |
| 夜汽車よ悲しみを乗せて | Yogisha yo Kanashimi o Nosete | Jun'ichi Inagaki | 1992-05-20 |
| Pretend | Pretend | Jun'ichi Inagaki | 1992-05-20 |
| 真夏の果てまで | Manatsu no Hate Made | Jun'ichi Inagaki | 1996-08-21 |
| 夏が行くよ | Natsu ga Yuku yo | Jun'ichi Inagaki | 1996-08-21 |
| シー･サイド･ショット | Seaside Shot | Jun'ichi Inagaki | 1983-07-21 |
| ブルージン･ピエロ | Bruisin' Pierro | Jun'ichi Inagaki | 1985-03-21 |
| 優しさが瞳にしみる | Yasashisa ga Hitomi ni Shimeru | Jun'ichi Inagaki | 1985-03-21 |
| ミスティー･ブルー | Misty Blue | Jun'ichi Inagaki | 1989-01-25 |
Read more about this topic: Masao Urino
Other articles related to "works, work":
... Tragödie, 1809 Wanda, 1810 Die Weihe der Unkraft, 1813, a recantation of his earlier work Martin Luther Kunigunde die Heilige, 1815 Geistliche Übungen ...
... The titles of many Baroque works make mention of the continuo section, such as J ... is harpsichord and cello for instrumental works and secular vocal works, such as operas, and organ for sacred music ... In addition, the mere composition of certain works seems to require certain kind of instruments (for instance, Vivaldi's Stabat Mater seems to require an organ, and not ...
... artist, producing over 4,000 original works in his lifetime ... Most of his works are either in public collections, or have been destroyed in fire or other misfortunes ... overshadowed by his most popular of calendar works the "Four Seasons" illustrations for Brown Bigelow that were published for 17 years beginning in 1947 and ...
... Krasicki's major works won European fame and were translated into Latin, French, German, Italian, Russian, Czech, Croatian, Slovene, Hungarian ... The broad reception of his works was sustained throughout the 19th century ... Krasicki has been the subject of works by poets of the Polish Enlightenment – Stanisław Trembecki, Franciszek Zabłocki, Wojciech Mier – and in the 20th century ...
... The Works Progress Administration (renamed during 1939 as the Works Project Administration WPA) was the largest and most ambitious New Deal agency ... Writers documented local and state histories, artists painted murals and other works for new federal post offices and other buildings ...
Famous quotes containing the word works:
“And when discipline is concerned, the parent who has to make it to the end of an eighteen-hour day—who works at a job and then takes on a second shift with the kids every night—is much more likely to adopt the survivor’s motto: “If it works, I’ll use it.” From this perspective, dads who are even slightly less involved and emphasize firm limits or character- building might as well be talking a foreign language. They just don’t get it.”
—Ron Taffel (20th century)
“A creative writer must study carefully the works of his rivals, including the Almighty. He must possess the inborn capacity not only of recombining but of re-creating the given world. In order to do this adequately, avoiding duplication of labor, the artist should know the given world.”
—Vladimir Nabokov (1899–1977)
“The discovery of Pennsylvania’s coal and iron was the deathblow to Allaire. The works were moved to Pennsylvania so hurriedly that for years pianos and the larger pieces of furniture stood in the deserted houses.”
—For the State of New Jersey, U.S. public relief program (1935-1943)