Sources
- Henry, Tom; Lawrence Kanter (2002). Luca Signorelli: The Complete Paintings. New York: Rizzoli.
- James, Sara Nair (2003). Signorelli and Fra Angelico at Orvieto: Liturgy, Poetry, and a Vision of the Endtime. Aldershot: Ashgate Publishing,. ISBN 0-7546-0813-1. http://www.ashgate.com/default.aspx?page=637&calcTitle=1&title_id=3540&edition_id=6161.
- James, Sara Nair. "Vasari on Signorelli: The Origins of 'The Grand Manner of Painting,'" in Reading Vasari, edited by Anne B. Barriault, Andrew Ladis, Norman E. Land, and Jeryldene M. Wood. London and Athens, GA: Philip Wilson Publishers and the Georgia Museum of Art, 2005.
- This article incorporates text from a publication now in the public domain: Chisholm, Hugh, ed. (1911). Encyclopædia Britannica (11th ed.). Cambridge University Press.
- Creighton, Gilbert (2002). How Fra Angelico and Signorelli Saw the End of the World. Penn State Press. ISBN 0-271-02140-3. http://www.psupress.psu.edu/books/titles/0-271-02140-3.html.
- Riess, Jonathan B. The Renaissance Antichrist: Luca Signorelli’s Orvieto Frescoes, Princeton: Princeton University Press, 1995.
Read more about this topic: Luca Signorelli
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