Fundamental Strategies, Tactics, and Techniques
The origin of many tactics and techniques in the system is unknown. Speculation of where a particular tactic comes from, in terms of root style, is often a point of discussion amongst practitioners. Because of the hybrid nature of the art, many techniques taken from other arts may very well have been transformed by its absorption in the system to the extent that they no longer resemble their parent art. It is often stated by those that knew Willem Reeders, that he was primarily concernced with the technique applications and fighting tactics of the arts that he studied, not with ritual elements, like forms, or juru-juru (prearranged sequences of movement).
This fact plays out in the many different methods of engagement that can be found within the system. Due to this variety, the art cannot be rigorously classified. The common thread found running through all the schools are the principles of operation. Although Liu Seong encompasses many techniques, its true definition is found in the tactical transitions of the distinctive postures of the style, and the syncopated rhythm of attack which are used to enter, strike and achieve a wide variety of locking and throwing techniques, culminating in finishing attacks upon the downed opponent.
Read more about this topic: Liu Seong Kuntao
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