The tengu in art appears in a large number of shapes, but it usually falls somewhere between a large, monstrous bird and a wholly anthropomorphized being, often with a red face or an unusually large or long nose. Early depictions of tengu show them as kite-like beings who can take a human-like form, often retaining avian wings, head or beak. The tengu's long nose seems to have been conceived in the 14th century, likely as a humanization of the original bird's bill. The tengu's long noses ally them with the Shinto deity Sarutahiko, who is described in the Japanese historical text, the Nihon Shoki, with a similar proboscis measuring seven hand-spans in length. In village festivals the two figures are often portrayed with identical red, phallic-nosed mask designs.
Some of the earliest representations of tengu appear in Japanese picture scrolls, such as the Tenguzōshi Emaki (天狗草子絵巻?), painted c. 1296, which parodies high-ranking priests by endowing them the hawk-like beaks of tengu demons. Tengu are often pictured as taking the shape of some sort of priest. Beginning in the 13th century, tengu came to be associated in particular with the yamabushi, the mountain ascetics who practice Shugendō. The association soon found its way into Japanese art, where tengu are most frequently depicted in the yamabushi's distinctive costume, which includes a small black cap (頭襟, tokin?) and a pom-pommed sash (結袈裟, yuigesa?). Due to their priestly aesthetic, they are often shown wielding the Shakujo, a distinct staff used by Buddhist monks.
Tengu are commonly depicted holding magical hauchiwa (羽団扇?), fans made of feathers. In folk tales, these fans sometimes have the ability to grow or shrink a person's nose, but usually they are attributed the power to stir up great winds. Various other strange accessories may be associated with tengu, such as a type of tall, one-toothed geta sandal often called tengu-geta.
Read more about this topic: Kotengu
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