Kiyoto Ota - Collective Exhibitions

Collective Exhibitions

  • Mexico City
  • Monterrey
  • Aguascalientes
  • Guadalajara
  • Puebla
  • Durango
  • San Luis Potosí
  • Xalapa
  • Zacatecas
  • Oregon, USA

Some of his works in the collections of the MAM, Museo de Arte Contemporáneo of Oaxaca and the Casa de Cultura arts center of Culiacán, Sinaloa.

He is a Professor of the ENAP (National School of Plastic Arts) UNAM (1983 to present) and studies the mastery in sculpture in ENAP (Academy of San Carlos) UNAM. He has also given classes of Sculpture in La Esmeralda (1988~1990), where he directed the thesis and social service of the urban art. Via academic exchange, he has given classes in the Facultad de Bellas Artes de la Universidad Politéctica (Faculty of Fine Arts of the Politecnic University) of Valencia, Spain (1994). Kiyoto Ota has been a guest professor at the Instituto Sudcaliforniano de Cultura (Sudcaliforniano Institute of Culture) in La Paz, Baja California Sur (1995, 1997, 1998 and 1999), Instituto Morelense de Cultura (Morelense Institute of Culture) in Cuernavaca (1997) and in a Graduate in the Universidad Autónoma de Baja California (Autonomous University of Baja California), Tecate (1998).

Read more about this topic:  Kiyoto Ota

Other articles related to "collective exhibitions":

Fábio Innecco - Works
... Since the early sixties he has taken part in several collective exhibitions, including The Salon in aid of the Spanish exiled (1963), in São Paulo, the Salon of Modern Art (1965 ... he has participated in the Paschoal Carlos Magno Cultural Centre collective exhibitions (1991/1997) and in the Six Artists, at the painter Bernadii's studio ... Abroad, he participated in two collective exhibitions at the New Visual Gallery, in Frankfurt, Germany in 1993 and 1994 ...
Lesbia Vent Dumois - Collective Exhibitions
... 1952 Exposición de la Estampa Cubana, in the Museo de Bellas Artes de Toluca, Mexico City, Mexico. 1959 16th National Exhibition of Prints, Washington, D.C ...

Famous quotes containing the word collective:

    Ideally, advertising aims at the goal of a programmed harmony among all human impulses and aspirations and endeavors. Using handicraft methods, it stretches out toward the ultimate electronic goal of a collective consciousness.
    Marshall McLuhan (1911–1980)