John Marcellus Huston (August 5, 1906 – August 28, 1987) was an American film director, screenwriter and actor. He wrote the screenplays for most of the 37 feature films he directed, many of which are today considered classics: The Maltese Falcon (1941), The Treasure of the Sierra Madre (1948), Key Largo (1948), The Asphalt Jungle (1950), The African Queen (1951), Moulin Rouge (1952), The Misfits (1961), and The Man Who Would Be King (1975). During his 46-year career, Huston received 15 Oscar nominations, won twice, and directed both his father, Walter Huston, and daughter, Anjelica Huston, to Oscar wins in different films.
Huston was known to direct with the vision of an artist, having studied and worked as a fine art painter in Paris in his early years. He continued to explore the visual aspects of his films throughout his career: sketching each scene on paper beforehand, then carefully framing his characters during the shooting. In addition, while most directors rely on post-production editing to shape their final work, Huston instead created his films while they were being shot, making his films both more economical and more cerebral, with little editing needed.
Most of Huston's films were adaptations of important novels, often depicting a "heroic quest", as in Moby Dick, or The Red Badge of Courage. In many films, different groups of people, while struggling toward a common goal, would become doomed or "destructive alliances", giving the films a dramatic and visual tension. Many of his themes also involved some of the "grand narratives" of the twentieth century, such as religion, meaning, truth, freedom, psychology, colonialism and war.
Before becoming a Hollywood filmmaker, he had been an amateur boxer, reporter, short-story writer, portrait artist in Paris, a cavalry rider in Mexico, and a documentary filmmaker during World War II. Huston has been referred to as "a titan", "a rebel" and a "renaissance man", in the Hollywood film industry. Author Ian Freer describes him as "cinema's Ernest Hemingway"—a filmmaker who was "never afraid to tackle tough issues head on".
Other articles related to "john huston, huston, john":
... to play the role himself, finally settling in 1973 on his friend the actor-director John Huston ... The few party scenes shot before 1973 were shot without Huston, and often contained just one side of a conversation, with Huston's side of the conversation ... John Huston confirmed that the film was photographed in a highly unconventional style "It's through these various cameras that the story is told ...
... As director John Huston's voiceover suggests, it's a film that's less interested in Freud himself than the possibilities of unlocking the human mind and how that can ... about people talking are not exactly visually exciting but Huston (and Cronenberg) pull off the drama within the subject in their own very different and intriguing ways ... Huston films it as film noir, with Freud the detective ...
... During a meeting to discuss the screenplay, Ray Bradbury informed John Huston that regarding Melville's novel, he had "never been able to read the damned thing" ... anger between the two men during the making of the film, allegedly due to Huston's bullying attitude and attempts to tell Bradbury how to do his job ... White Whale includes a fictionalized version of his writing the screenplay with John Huston in Ireland ...
... dir Roman Polanski) Breakout (1975) The Wind and the Lion (1975, dir John Milius) Tentacles (1977, dir Ovidio G ...
Famous quotes by john huston:
“Wilmer Cook: Keep on riding me, theyre gonna be picking iron out of your liver.
Sam Spade: The cheaper the crook, the gaudier the patter.”
—John Huston (19061987)