Jennie - Productions

Productions

Out-of-town tryouts

Jennie was plagued with problems from the start. In Boston, the major character of Jennie's second husband (J. Hartley Manners, who was to be played by Robin Bailey) was eliminated, and Carol Haney replaced Matt Mattox as choreographer. Schwartz sued the Boston Globe and its critic Kevin Kelly, on the basis that his review implied the composer had "stolen or plagiarized" from other composers. In summarizing the Boston reviews, The New York Times noted that while the critics unanimously praised Martin, they were "disappointed" in the show. It was "too long, too cultured, and sometimes even too solemn for its own good", according to Elliot Norton of The Record American.

In Detroit, the leading man was replaced (George Wallace replaced Dennis O'Keefe), and animosity developed between Schwartz and Dietz and the Hallidays, who decided not to bring the show to New York City. When the composers threatened to sue the couple for the $1.35 million advance sale, they agreed to open as scheduled.

Broadway

The musical opened on Broadway at the Majestic Theatre on October 17, 1963 and closed on December 28, 1963, after 82 performances and four previews. Directed by Vincent J. Donehue, choreographed by Matt Mattox (official IBDB credits) and with costumes by Irene Sharaff, the cast included George D. Wallace as O'Connor, Robin Bailey as Cromwell, Jack De Lon as Abe O'Shaughnessy, Jeremiah Morris as The Bear, Sydney Harris, and Indian Fakir, and Ethel Shutta as Nellie Malone.

The critics were delighted by the score and Martin's slapstick antics but found little else to praise. Howard Taubman, in The New York Times wrote: "Not that Miss Martin has lost her luster...she continues to be a game and resourceful trouper, willing to do an impossible backbend while being carried aloft and game enough to let herself be whirled head over heels on a torture rack and come up smiling and belting out a top note." Walter Kerr reviewing in the Herald Tribune wrote: "a woeful tale of some woeful people told in a woeful way." This was Martin's first Broadway flop (though she starred in "Nice Goin'" and "Dancing in the Streets" which closed out-of-town

Read more about this topic:  Jennie

Other articles related to "productions, production":

Riverdance - Legacy
... Current productions are geared towards smaller theatres, whereas past productions have been performed in large theatres and arenas ... been simplified and some numbers contain fewer performers than in past productions (such as those seen on the Live from Radio City and Live from Arena Geneva DVDs) ... For example, current touring productions of the show have 20 dancers in the finale, "Heartland", whereas 24 were used in the original Dublin show and ...
Christian Slater - Career - Since 2000
... with supporting roles in a few mainstream productions, appearing in the successful The West Wing and Alias TV productions, but also being part of Hollywood films including Bobby and 3000 Miles ... He has also worked as a voice-over artist in productions, including the character of 'Pip' in the successful Australian animated film FernGully The Last Rainforest, The Adventures of ... "Wonko the Sane" in BBC Radio 4's production of The Hitchhiker's Guide to the Galaxy ...
King Jammy - Biography
... his own studio at his in-laws' home in Waterhouse, and released a couple of Yabby You productions ... In the late 1970s he began to release his own productions, including the debut album from Black Uhuru in 1977 ... Jammy's productions and sound system dominated reggae music for the remainder of the 1980s and into the 1990s ...
Norma Candal - "Petunia"
... Shortly thereafter, she joined Tommy Muñiz Productions in Channel 4 WAPA TV ... In 1970, there was a strike against Tommy Muñiz Productions, which forced Candal to leave the show and join "ASTRA Productions" for which she did a couple of shows ...

Famous quotes containing the word productions:

    If in many of my productions terror has been the thesis, I maintain that terror is not of Germany, but of the soul.
    Edgar Allan Poe (1809–1849)

    Most new things are not good, and die an early death; but those which push themselves forward and by slow degrees force themselves on the attention of mankind are the unconscious productions of human wisdom, and must have honest consideration, and must not be made the subject of unreasoning prejudice.
    Thomas Brackett Reed (1839–1902)

    It is well known, that the best productions of the best human intellects, are generally regarded by those intellects as mere immature freshman exercises, wholly worthless in themselves, except as initiatives for entering the great University of God after death.
    Herman Melville (1819–1891)