Gallery of Architectural Work
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Stables, Longleat, Wiltshire (1806-13)
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The Orangery, Longleat, Wiltshire (1806-13)
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Orangery, Belton House, Lincolnshire (c.1810)
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Completion of Ashridge House, Hertfordshire, after the architect, his uncle James Wyatt died, (c.1814-17)
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Ashridge House, Hertfordshire, wing on right by Wyatville,
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South front, Phillips House, Dinton, Wiltshire (1814-17)
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From the south-east, Phillips House, Dinton, Wiltshire (1814-17)
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Great Hall, Phillips House, Dinton, Wiltshire (1814-17)
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Bretton Hall, Yorkshire remodelled (c.1815)
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Camellia House, Bretton Hall, Yorkshire (c.1815)
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Claverton Manor, Near Bath, Somerset (1820)
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North wing (on left), Chatsworth House, Derbyshire (1820-41)
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Entrance Arch, Chatsworth House, Derbyshire (1820-41)
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Great Dining Room, Chatsworth House, Derbyshire (1820-41)
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Round Tower, Windsor Castle, Berkshire, doubled in height by Wyattville, (1824-1840)
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South facade including King George IV gateway, Windsor Castle, Berkshire, as rebuilt by Wyattville (1824-1840)
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East facade, Windsor Castle, Berkshire, as rebuilt by Wyattville (1824-1840)
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Upper Ward, Windsor Castle, Berkshire, as rebuilt by Wyattville (1824-1840)
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State Reception Room, Windsor Castle, as rebuilt by Wyattville (1824-1840)
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Waterloo Chamber, Windsor Castle, created by Wyattville (1824-1840)
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St. George's Hall, Windsor Castle, created by Wyattville (1824-1840) (damaged in 1992 fire and partially redesigned)
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Dining Room, Windsor Castle, created by Wyattville (1824-1840)
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Grand Staircase, Windsor Castle, created by Wyattville (1824-1840) later rebuilt by Anthony Salvin
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Golden Grove, (Gelli Aur) (1826-31)
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Ruins at Virginia Water, 'Temple of Augustus' (1826)
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Statue Base, for the George III statue, Snow Hill, Windsor Great Park (1829)
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Bridgewater Monument, Ashridge, Hertfordshire (1831-2)
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King William IV Temple, Kew Gardens, London (1837)
Read more about this topic: Jeffry Wyattville
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“To be sure, a good work of art can and will have moral consequences, but to demand of the artists moral intentions, means ruining their craft.”
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“I never can pass by the Metropolitan Museum of Art in New York without thinking of it not as a gallery of living portraits but as a cemetery of tax-deductible wealth.”
—Lewis H. Lapham (b. 1935)