Some articles on homme arm:
Josquin Des Prez - Music - Masses - Cantus-firmus Masses
... Josquin's most famous cantus-firmus masses are the two based on the L'homme armé tune, which was the favorite tune for mass composition of the entire Renaissance ... The earlier of the two, Missa L'homme armé super voces musicales, is a technical tour-de-force on the tune, containing numerous mensuration canons and contrapuntal display ... The second, Missa L'homme armé sexti toni, is a "fantasia on the theme of the armed man." While based on a cantus firmus, it is also a paraphrase mass, for fragments of the tune appear in all voices ...
... Josquin's most famous cantus-firmus masses are the two based on the L'homme armé tune, which was the favorite tune for mass composition of the entire Renaissance ... The earlier of the two, Missa L'homme armé super voces musicales, is a technical tour-de-force on the tune, containing numerous mensuration canons and contrapuntal display ... The second, Missa L'homme armé sexti toni, is a "fantasia on the theme of the armed man." While based on a cantus firmus, it is also a paraphrase mass, for fragments of the tune appear in all voices ...
Mass (music) - Musical Settings - Renaissance
... In particular, the song L'homme armé has a long history with composers more than 40 separate Mass settings exist ... canon on a freely-composed tune, and the Missa L'homme armé of Guillaume Faugues, which is also entirely canonic but also uses the famous tune L'homme armé throughout ...
... In particular, the song L'homme armé has a long history with composers more than 40 separate Mass settings exist ... canon on a freely-composed tune, and the Missa L'homme armé of Guillaume Faugues, which is also entirely canonic but also uses the famous tune L'homme armé throughout ...
Missa L'homme Armé
... of the Ordinary of the Mass using the tune L'homme armé survive from the period between 1450 and the end of the 17th century, making the tune the most popular single source ... Some of the Missae L'homme armé are as follows Probably dating from the 1450s Missa L'homme armé (Antoine Busnois) Missa L'homme armé (Guillaume Dufay ...
... of the Ordinary of the Mass using the tune L'homme armé survive from the period between 1450 and the end of the 17th century, making the tune the most popular single source ... Some of the Missae L'homme armé are as follows Probably dating from the 1450s Missa L'homme armé (Antoine Busnois) Missa L'homme armé (Guillaume Dufay ...
Missa L'homme Armé - More Recent L'Homme Armé Works
... Peter Maxwell Davies who wrote Missa super l'homme armé (1968, rev ... mass by Welsh composer Karl Jenkins Helmut Eder Organ Concerto on L'homme armé Paulo Costa Lima who wrote Atotô do L'homme armé para Orquestra de Câmar. 39 (1993) Christopher Marshall (composer) L'homme armé Variations for Wind Ensemble ...
... Peter Maxwell Davies who wrote Missa super l'homme armé (1968, rev ... mass by Welsh composer Karl Jenkins Helmut Eder Organ Concerto on L'homme armé Paulo Costa Lima who wrote Atotô do L'homme armé para Orquestra de Câmar. 39 (1993) Christopher Marshall (composer) L'homme armé Variations for Wind Ensemble ...
Prolation Canon
... of each voice) the Agnus Dei from the Missa L'homme armé super voces musicales by Josquin des Prez (late 15th century) the Agnus Dei from the Missa L'homme armé by Pierre de la Rue (early 16th century ... of the Agnus Dei II of the earlier of the two masses Josquin wrote based on the L'homme armé tune, each voice sings the same music, but at different speeds ...
... of each voice) the Agnus Dei from the Missa L'homme armé super voces musicales by Josquin des Prez (late 15th century) the Agnus Dei from the Missa L'homme armé by Pierre de la Rue (early 16th century ... of the Agnus Dei II of the earlier of the two masses Josquin wrote based on the L'homme armé tune, each voice sings the same music, but at different speeds ...
Famous quotes containing the word arm:
“Innings and afternoons. Fly lost in sunset.
Throwing arm gone bad. There’s your old ball game.
Cool reek of the field. Reek of companions.”
—Robert Fitzgerald (1910–1985)
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