Griselda Pollock - Publications


  • Millet, London Oresko Books, 1977.
edited and re-published in: Orton & Pollock 1996, pp. 3-51
  • (& Fred Orton) Les Données Bretonnantes: La Prairie de Représentation, in: Art History III/3, 1980, pp. 314–344
re-published in: Orton & Pollock 1996, pp. 53-88
  • Mary Cassatt, London Jupiter Books, 1980
  • Artists mythologies and media genius, madness and art history, in: Screen XXI/3, 1980, pp. 57–96
  • Vincent van Gogh in zijn Hollandse jaren: Kijk op stad en land door Van Gogh en zijn tijdgenoten 1870-1890, exh. cat. Amsterdam, Rijksmuseum Vincent van Gogh, 1980/1981 (no ISBN)
  • Old Mistresses; Women, Art and Ideology, London Routledge & Kegan (Griselda Pollock with Rozsika Parker), 1981.
  • (& Fred Orton) Cloisonism?, in: Art History V/3, 1982, pp. 341–348
re-published in: Orton & Pollock 1996, pp. 115-124
  • The Journals of Marie Bashkirtseff, London Virago ( newly introduced with Rozsika Parker), 1985.
  • Framing Feminism: Art & the Women’ s Movement 1970-85, (Griselda Pollock with Rozsika Parker) 1987.
  • Vision and Difference: , London Routledge and New York Methuen, 1987.
  • 'Inscriptions in the Feminine'. In Catherine de Zegher (ed), Inside the Visible. MIT, 1996. 67-87.
  • Agency and the Avant-Garde: Studies in Authorship and History by Way of Van Gogh, in Block 1989/15, pp. 5–15
re-published in: Orton & Pollock 1996, pp. 315-342
  • "Oeuvres Autistes." In: Versus 3 1994.
  • Dealing with Degas: Representations of Women and the Politics of Vision (co-edited Richard Kendall). London Pandora Books, 1992, (now Rivers Oram Press), London.
  • Avant-Garde Gambits: Gender and the Colour of Art History, London Thames and Hudson, 1993.
  • Trouble in the Archives. Special Issue Differences vol. 4 no. 3, 1992.
  • Generations and Geographies: Critical Theories and Critical Practices in Feminism and the Visual Arts, ed. Routledge, 1996. ISBN 0-415-14128-1
  • (& Fred Orton) Avant-Gardes and Partisans Reviewed, Manchester University Press, 1996 ISBN 0-7190-4398-0
  • The Ambivalence of Pleasure, Getty Art History Oral Documentation Project, interview by Richard Cándida Smith, Getty Research Institute, 1997.
  • Mary Cassatt Painter of Modern Women, London Thames & Hudson: World of Art, 1998.
  • On not seeing Provence: Van Gogh and the landscape of consolation, 1888-1889, in: Framing France: The representation of landscape in France, 1870-1914, ed. Richard Thomson, Manchester University Press 1998, pp. 81–118 ISBN 0-7190-4935-0
  • Aesthetics. Politics. Ethics Julia Kristeva 1966-96, Special Issue Guest Edited parallax, no. 8, 1998.
  • Differencing the Canon: Feminism and the Histories of Art, London, Routledge, 1999.
  • Looking Back to the Future: Essays by Griselda Pollock from the 1990s, New York, G&B New Arts, introduced by Penny Florence, 2000. ISBN 90-5701-132-8
  • Work and the Image, 2 vols. Edited By Griselda Pollock with Valerie Mainz, London:Ashgate Press, 2000.
  • Vision and Difference: Feminism, Femininity and the Histories of Art (Chapter 1: Feminist interventions in the histories of art: an introduction, Chapter 3: Modernity and the spaces of femininity), Routledge Classics, 2003.
  • Psychoanalysis and the Image. (ed). Boston and Oxford: Blackwell, 2006. ISBN 1-4051-3461-5
  • A very long engagement : singularity and difference in the critical writing on Eva Hesse in Encountering Eva Hesse, edited by Griselda Pollock with Vanessa Corby, London and Munich: Prestel, 2006.
  • Museums after Modernism, edited by Griselda Pollock with Joyce Zemans Boston: Blackwells, 2007.
  • Encounters in the Virtual Feminist Museum Time, Space and the Archive, London: Routledge, 2007. ISBN 978-0-415-41374-9
  • The Sacred and the Feminine, edited by Griselda Pollock and Victoria Turvey-Sauron. London I.B. Tauris, 2008.
  • 'Opened,Closed and Opening: Reflections on Feminist Pedagogy in a UK University' n.paradoxa: international feminist art journal vol.27 July 2010 pp. 20–28

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