In 1554 the MacNeills relinquished their Gigha holdings to the MacDonalds, but if anything the conflicts intensified. In 1567 Gigha was "ravaged" by the Macleans of Duart. By 1587, atrocities committed between warring West Highland clans had escalated to such an extent that Parliament devised what is known as the General Band in an effort to quell hostilities. Despite the Governments actions to secure the peace, about this time Lachlan Mor MacLean of Duart ravaged the MacDonald islands of Islay and Gigha, slaughtering 500—600 men. Maclean of Duart then besieged Angus MacDonald of Dunivaig and the Glens at his Castle Dunivaig on Islay.
The siege was only lifted when MacDonald of Dunivaig agreed with MacLean of Duart to surrender half of his lands on Islay. However, despite his agreement with the MacLeans, MacDonald of Dunivaig then invaded the MacLean islands of Mull, Tiree, Coll and Luing. Angus MacDonald of Dunivaig was aided in the action by Donald Gorm Mor MacDonald of Sleat and the MacDonalds of Clanranald, MacIains of Ardnamurchan, MacLeods of Lewis, MacNeills of Gigha, MacAlisters of Loup and the Macfies of Colonsay. Supporting MacLean of Duart were the MacLeods of Harris and Dunvegan, MacNeils of Barra, MacKinnons of Strathrodle and the MacQuarries of Ulva.
In 1590, Angus of Islay sold out to John Campbell of Cawdor, a junior cousin of the Earl of Argyll. In a move that may well have been pre-arranged Campbell then immediately resold back to Neil MacNeill of Taynish. The church at Kilchattan that dates from this period has some "intricately carved medieval grave slabs".
Famous quotes containing the words conflict and/or medieval:
“Journey to Gethsemane, go and feel the tempters power;
Your Redeemers conflict see, watch the anguish of this hour;
Do not hide or turn away: learn from Jesus how to pray.”
—James Montgomery (17711854)
“Nothing in medieval dress distinguished the child from the adult. In the seventeenth century, however, the child, or at least the child of quality, whether noble or middle-class, ceased to be dressed like the grown-up. This is the essential point: henceforth he had an outfit reserved for his age group, which set him apart from the adults. These can be seen from the first glance at any of the numerous child portraits painted at the beginning of the seventeenth century.”
—Philippe Ariés (20th century)