In Catholic parts of South Germany the Gothic tradition of wood carving continued to flourish until the end of the 18th century, adapting to changes in style through the centuries. Veit Stoss (d. 1533), Tilman Riemenschneider (d.1531) and Peter Vischer the Elder (d. 1529) were Dürer's contemporaries, and their long careers covered the transition between the Gothic and Renaissance periods, although their ornament often remained Gothic even after their compositions began to reflect Renaissance principles. Two and a half centuries later, Johann Joseph Christian and Ignaz Günther were leading masters in the late Baroque period, both dying in the late 1770s, barely a decade before the French Revolution. A vital element in the effect of German Baroque interiors was the work of the Wessobrunner School, a later term for the stuccoists of the late 17th and 18th centuries. Another manifestation of German sculptural skill was in porcelain; the most famous modeller is Johann Joachim Kaendler of the Meissen factory in Dresden, but the best work of Franz Anton Bustelli for the Nymphenburg Porcelain Manufactory in Munich is often considered the greatest achievement of 18th century porcelain.
Read more about this topic: German Art
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Famous quotes containing the word sculpture:
“I look on Sculpture as history. I do not think the Apollo and the Jove impossible in flesh and blood. Every trait the artist recorded in stone, he had seen in life, and better than his copy.”
—Ralph Waldo Emerson (18031882)
“There are men whose manners have the same essential splendor as the simple and awful sculpture on the friezes of the Parthenon, and the remains of the earliest Greek art.”
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“Writing is not like painting where you add. It is not what you put on the canvas that the reader sees. Writing is more like a sculpture where you remove, you eliminate in order to make the work visible. Even those pages you remove somehow remain.”
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