Folk music of England refers to various types of traditionally based music, often contrasted with courtly, classical and later commercial music, for which evidence exists from the later medieval period. It has been preserved and transmitted orally, through print and later through recordings. The term is used to refer to English traditional music and music composed, or delivered, in a traditional style. English folk music has produced or contributed to several important musical genres, including sea shanties, jigs, hornpipes and dance music, such as that used for Morris dancing. It can be seen as having distinct regional and local variations in content and style, particularly in areas more removed from the cultural and political centres of the English state, as in Northumbria, or the West Country. Cultural interchange and processes of migration mean that English folk music, although in many ways distinctive, has particularly interacted with the music of Scotland, Ireland and Wales. It has also interacted with other musical traditions, particularly classical and rock music, influencing musical styles and producing musical fusions, such as electric folk, folk punk and folk metal. There remains a flourishing sub-culture of English folk music, which continues to influence other genres and occasionally to gain mainstream attention.
Other articles related to "folk music of england, music, folk music, england, folk":
... Sharp taught and composed music ... Because music pedagogy of his time originated from Germany and was entirely based on tunes from German folk music, Sharp, as a music teacher, became interested in the ... three-volume work, The Sword Dances of Northern England, which described the obscure and near-extinct Rapper sword dance of Northumbria and Long Sword dance of Yorkshire ...
... Yorkshire has a rich heritage of folk music and folk dance including the Long Sword dance ... Folk songs were collected there from the 19th century but, though it probably had more attention than other northern counties, its rich heritage of industrial folk song was relatively neglected ... Yorkshire folk song lacked the unique instrumental features of folk in areas like Northumbria and was chiefly distinguished by the use of dialect ...
Famous quotes containing the words england, folk and/or music:
“New England is the home of all that is good and noble with all her sternness and uncompromising opinions.”
—Ellen Henrietta Swallow Richards (18421911)
“In the past, the English tried to impose a system wherever they went. They destroyed the nations culture and one of the by- products of their systemisation was that they destroyed their own folk culture.”
—Martin Carthy (b. 1941)
“O I shall hear skull skull,
Hear your lame music,
Believe music rejects undertaking,
—Owen Dodson (b. 1914)