Arrangements in Popular Music
- In 1963, The Fire Within (French:Le Fou Follet), one of Louis Malle's early films, used Gympnopedie 1 and Gnossienne 1, 2 & 3 to score the film.
- In 1968, Blood Sweat & Tears released their eponymous second album, which included an adaptation of Erik Satie's Gymnopédie #1 (arranged by Dick Halligan) which they titled as Variations on a Theme by Erik Satie (First and Second Movements). The first movement is a straightforward elaboration of the basic theme using flutes, an acoustic guitar and a triangle. The second is a far more abstract variation using only brass instruments. In 1969, Halligan received a Grammy Award for Best Instrumental Performance for the piece.
- In 1974, the jazz flutist Hubert Laws recorded an arrangement by Bob James of the "Gymnopedie #1" in his "In the Beginning" double album. The band featured keyboardist Bob James, guitarist Gene Bertoncini, bassist Ron Carter, drummer Steve Gadd, three strings, and Hubert's brother Ronnie Laws on tenor sax.
- In 1979 the band "Sky" (Tristan Fry, Francis Monkman, Kevin Peek, Herbie Flowers, and John Williams) included a version of Gymnopedie No1, which was arranged by John Williams, on the band's first album, which was entitled "Sky"
- In 1980, Gary Numan's 7-inch "We Are Glass" featured "Trois Gymnopedies (First Movement)" on the B-side.
- In 1987, the Serbian electronic music composer Mitar Subotić on his debut album Disillusioned! recorded a twenty-five minute long instrumental track "Thanx Mr. Rorschach - Ambijenti na muziku Erika Satija" ("Thanx Mr. Rorschach - Ambient to the music by Erik Satie"), as a kind of a musical Rorschach test to the music by Satie.
- In 1989, the Vienna Art Orchestra (directed by Mathias Rüegg) released The Minimalism of Eric Satie, a 2-LP set on the Swiss HatART label that included "reflections" on a number of Satie's works, notably three performances of Vexations in various instrumental/vocal combinations.
- In 1990, Movement 98's (Paul Oakenfold and Steve Osborne) single "Joy and Heartbreak" used the opening phrase of Trois Gymnopedies as the intro and instrumental.
- In 1994, Malcolm McLaren arranged Gnossienne 3&4 in his concept album Paris.
- In 1999, electronic music act Plaid's CD Restproof Clockwork included a track called "Tearisci" which is an uncredited version of Satie's "Pièces Froides, No. 2: Danses De Travers: III. Encore".
- In 2000, ex-Genesis guitarist Steve Hackett released the album Sketches of Satie, performing Satie's works on acoustic guitar, with contributions by his brother John on flute.
- Janet Jackson released the single "Someone to Call My Lover" in 2001 from her seventh studio album, All for You. The chorus of the song includes a loop of "Gymnopédie No. 1" played in 4/4 time instead of the original 3/4. Jackson had loved the Gymnopédie since childhood and wanted to incorporate its theme into one of her own songs.
- The English electronic duo Isan recorded versions of the three Gymnopédies for a 2006 7-inch single, "Trois Gymnopedies" on the Morr Music record label.
- The 2006 video game Mother 3 features an arrangement of the 1st Gymnopedie as background music, titled "Leder's Gymnopedie".
- The 2006 movie The Painted Veil features Gnossienne No. 1 throughout the film.
- The 2008 documentary film Man on Wire features both Gymnopédie No. 1 and Gnossienne No. 1
- The 2nd movement of his Gymnopédies has been used in the original soundtrack of 2010 Japanese animated film The Disappearance of Haruhi Suzumiya by Kyoto Animation studio. The full Gymnopédies as long as Gnossiennes are included in the 2nd CD of this OST.
- Ogive Number 2 (incorrectly labelled Ogive Number 1) was re-recorded electronically by William Orbit on his album Pieces in a Modern Style
- In 2011, singer-songwriter Tori Amos released an album entitled Night of Hunters, where her song "Battle of Trees" is a variation on Gnossienne no. 1.
- In 2011, Satie's "Gnossienne No.1" was used in the film Hugo.
- In 2011, James Blake used "Gnossienne No.5" as the opening track of his BBC Radio 1 Essential Mix.
- In 2012 Gymnopédie No.1 was used in Lana Del Rey's song "Carmen"
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