Closet Drama

A closet drama is a play that is not intended to be performed onstage, but read by a solitary reader or, sometimes, out loud in a small group. A related form, the "closet screenplay," developed during the 20th century.

Read more about Closet Drama:  Form, History

Other articles related to "closet drama, drama, closet, closet dramas, dramas":

Closet Drama - History
... Some of the drama of the Middle Ages was of the closet-drama type, such as the drama of Hroswitha of Gandersheim, or dialectical works such as The Debate of Body and Soul or the Interludium de Clerico et Puella ... William Alexander, and Mary Sidney wrote closet dramas in the age of Shakespeare and Jonson ... Thomas Killigrew is an example of a stage playwright who turned to closet drama when his plays could no longer be produced he was in exile from England during the English Civil War ...
Verse Drama And Dramatic Verse - Closet Drama
... An important trend from around 1800 was the closet drama a verse drama intended to be read from the page, rather than performed ... a host of lesser figures, devoted much time to the closet drama, in a signal that the verse tragedy was already in a state of obsolescence ... of the eighteenth century could write so-so poetic dramas, the public taste for new examples was already moving away by the start of the nineteenth century, and ...
Closet Screenplay - Critical Interest
... refers to James Baldwin's One Day When I Was Lost as a "closet screenplay." The screenplay was written for a project to produce a movie, but the project suffered ... in his article "Production's 'dubious advantage' Lesescenarios, closet drama, and the (screen)writer's riposte," Quimby Melton outlines the history of the Lesescenario form, situates the genre in ...

Famous quotes containing the words drama and/or closet:

    The popular definition of tragedy is heavy drama in which everyone is killed in the last act, comedy being light drama in which everyone is married in the last act.
    George Bernard Shaw (1856–1950)

    I am not of the opinion generally entertained in this country [England], that man lives by Greek and Latin alone; that is, by knowing a great many words of two dead languages, which nobody living knows perfectly, and which are of no use in the common intercourse of life. Useful knowledge, in my opinion, consists of modern languages, history, and geography; some Latin may be thrown into the bargain, in compliance with custom, and for closet amusement.
    Philip Dormer Stanhope, 4th Earl Chesterfield (1694–1773)