Krishna (Rahul Banerjee) is a diligent scooter mechanic in Siliguri and life goes on smoothly for him until the rich schoolgirl Pallavi (Priyanka Sarkar) sets her eyes on him. The infatuation reaches dangerous levels when she coaxes Krishna to take her away from the clutches of her family, which has other plans about her future. The film begins with the elopement, as Pallavi steps out of her house in her school uniform, leaving even her wristwatch behind since Krishna has instructed her not to take a single thing with her. The two rush into a shopping mall where Pallavi hurriedly changes into a boy’s shirt, pants and cap, leaves her uniform behind, and the two board the bus.
The flashback, as point-of-view narrations between Pallavi and Krishna, are intercut with Pallavi’s don-like father and uncle terrorizing the neighbourhood in search of the truant girl. The naïve Krishna hesitantly yields to her charm and the two run away to Kolkata. Krishna's friend Ali (Rudranil Ghosh) helps them, and the lovers marry. The couple consummates their union while the mess chaps hastily organize a proper wedding and elaborate reception. But her family is not going to give up so easily on the daughter they dote on.
The family tracks down the couple and separates them. Pallavi agrees to marry another man to save Krishna's life after he is beaten by her father. While she believes this decision is best and moves on with her life, she one day (while on the road with her husband and daughter) runs into Krishna who suffered permanent brain damage from his beating.
Read more about this topic: Chirodini Tumi Je Amar
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Famous quotes containing the word plot:
“The westward march has stopped, upon the final plains of the Pacific; and now the plot thickens ... with the change, the pause, the settlement, our people draw into closer groups, stand face to face, to know each other and be known.”
—Woodrow Wilson (18561924)
“There comes a time in every mans education when he arrives at the conviction that envy is ignorance; that imitation is suicide; that he must take himself for better for worse as his portion; that though the wide universe is full of good, no kernel of nourishing corn can come to him but through his toil bestowed on that plot of ground which is given him to till.”
—Ralph Waldo Emerson (18031882)
“The plot was most interesting. It belonged to no particular age, people, or country, and was perhaps the more delightful on that account, as nobodys previous information could afford the remotest glimmering of what would ever come of it.”
—Charles Dickens (18121870)