Corie (Jane Fonda), a free spirited young woman, and Paul Bratter (Robert Redford), a more conservative, less free-spirited man, are a recently married couple, who move into a fifth floor apartment in Greenwich Village (one of the ongoing jokes is the fact that everyone has to climb so many stairs to get to the apartment). Corie decorates the small, leaky apartment, turning it into a picturesque little home for the two. One of the many odd people living in the apartment building, the quirky Victor Velasco (Charles Boyer), befriends Corie, often even flirting with her. He lives in the attic of the building, once even climbing through the Bratters' apartment window to get to his. Victor helps Corie with the apartment, teaching her how to work the seemingly broken heating and plumbing.
Corie sets up a dinner date with herself, Paul, their new friend and neighbor Victor, and Corie's mother, Ethel Banks (Mildred Natwick) in a scheme to get Corie's mother to fall for Victor; Corie feels that her mother is lonely now that she lives alone and needs love. Victor takes them all to an Albanian restaurant on Staten Island where he knows the owner. There, the group drinks, and Corie and Victor get up to dance with the belly dancer, while Paul and Ethel watch in embarrassment and awe. Afterwards, Corie and Victor return to the apartment in high energy as Paul and Ethel drag themselves with fatigue. As Victor escorts Ethel outside, Corie and Paul begin an argument over their differences. Corie feels her adventurous spirit is not equal to Paul's cautious demeanor. One of the examples she gives is that he would not go barefoot in the park with her one evening. His excuse was that it was freezing. Corie says she will kick Paul out and get a big dog to protect her from him. Paul says maybe it will finally allow her to have someone who will go barefoot in the park with her. They eventually go to sleep, Corie in their tiny bedroom and Paul sleeping on the couch under a hole in the skylight on a snowy February night.
The next day, Paul comes home with a fever, but Corie still insists she wants a divorce. The two spend an awkward time together in their apartment before Corie kicks Paul out. She then gets a call from her aunt, saying that Ethel did not come home. Scared, Corie begins to panic, but eventually finds out that her mother was at Victor's apartment. Apparently, while Victor was escorting her to her home in New Jersey the night prior, Ethel slipped on some ice, and Victor took her back to his apartment where they spent the night. Strangely, Ethel was wearing nothing but her undergarments and Victor's Japanese kimono. Fearing for what seemed obvious, it turned out that Victor had Ethel's dress drycleaned.
Meanwhile, drunk, Paul skips work and sits in Washington Square Park. With her mother's advice, Corie goes out searching for Paul and finds him, drunk and running shoeless and barefoot through the park. The once cautious Paul is now a fun loving drunk while cautious Corie chases after him in order to get him to sober up. Eventually, Paul says it's his apartment too and he's going back home. Corie follows. Back at the apartment, Paul, still fairly drunk, climbs onto the roof of the apartment. Scared he might fall, Corie begs him to come down while speaking to him through the hole in the glass ceiling. He says he will only come down if she repeats after him. He wants her to admit that her husband is a crazy drunk, when a few nights before she scolded him for being so cautious and practical even when he is drunk. Meanwhile, realizing where he is, Paul becomes scared after almost falling off the building. Corie tries to climb up onto the roof to help him down but Paul does not want her to leave him. Corie asks Paul to sing an Albanian folk song they had heard at the restaurant that Victor has taken them to. While he sings, Corie climbs up to the roof to help him down. A crowd of onlookers starts to gather in the street, watching along, including Corie's mother, Ethel, and her new love, Victor. When Corie reaches Paul, they kiss and climb back down as the crowd cheers on.
Read more about this topic: Barefoot In The Park (film)
Other articles related to "plot, plots":
... Valjean arrives at Montfermeil on Christmas Eve ... He finds Cosette fetching water in the woods alone and walks with her to the inn ...
... in 1567, she became the focus of numerous plots and intrigues to restore England to the Catholic fold ... whose behalf anyone plotted against the queen, even if the claimant were ignorant of the plot, would be excluded from the line and executed ... of anyone who would benefit from the death of the Queen if a plot against her was discovered ...
... Zoltan opens another coffin shaken loose from the crypt, this one holding the body of an innkeeper, Nalder, who once owned the crypt ... Zoltan removes the stake from the innkeeper's chest, reanimating the innkeeper ...
... The points plotted in a Q–Q plot are always non-decreasing when viewed from left to right ... being compared are identical, the Q–Q plot follows the 45° line y = x ... values in one of the distributions, then the Q–Q plot follows some line, but not necessarily the line y = x ...
... plot(x0,y0, x1,y1) dx=x1-x0 dy=y1-y0 D = 2*dy - dx plot(x0,y0) y=y0 for x from x0+1 to x1 if D > 0 y = y+1 plot(x,y) D = D + (2*dy-2*dx) else plot(x,y) D = D + (2*dy) Running this algorithm ...
Famous quotes containing the word plot:
“There comes a time in every mans education when he arrives at the conviction that envy is ignorance; that imitation is suicide; that he must take himself for better for worse as his portion; that though the wide universe is full of good, no kernel of nourishing corn can come to him but through his toil bestowed on that plot of ground which is given him to till.”
—Ralph Waldo Emerson (18031882)
“Trade and the streets ensnare us,
Our bodies are weak and worn;
We plot and corrupt each other,
And we despoil the unborn.”
—Ralph Waldo Emerson (18031882)
“But, when to Sin our byast Nature leans,
The careful Devil is still at hand with means;
And providently Pimps for ill desires:
The Good Old Cause, revivd, a Plot requires,
Plots, true or false, are necessary things,
To raise up Common-wealths and ruine Kings.”
—John Dryden (16311700)