Pastoral Ballad Opera
A later development, also often referred to as ballad opera, was a more "pastoral" form. In subject matter, especially, these "ballad operas" were antithetical to the more satirical variety. In place of the rag-bag of pre-existing music found in (for example) The Beggar's Opera, the scores of these works consisted in the main of original music, although they not infrequently quoted folk melodies, or imitated them. Isaac Bickerstaffe's Love in a Village (1763) and Shield’s Rosina (1781) are typical examples. Interestingly, many of these works were introduced as after-pieces to performances of Italian operas.
Later in the century broader comedies such as Richard Brinsley Sheridan's The Duenna and the innumerable works of Charles Dibdin moved the balance back towards the original style, but there was little remaining of the impetus of the satirical ballad opera.
Read more about this topic: Ballad Opera
Other articles related to "opera":
... Rameau Afterpiece English 18th/early 19th century short opera or pantomime performed after a full-length play. 17th and early 18th century opera with religious subject ... teatrale (plural azioni teatrali) Italian Small-scale one-act opera, or musical play ...
Famous quotes containing the words opera, pastoral and/or ballad:
“The opera isnt over till the fat lady sings.”
A modern proverb along the lines of dont count your chickens before theyre hatched. This form of words has no precise origin, though both Bartletts Familiar Quotations (16th ed., 1992)
“Et in Arcadia ego.
[I too am in Arcadia.]”
Tomb inscription, appearing in classical paintings by Guercino and Poussin, among others. The words probably mean that even the most ideal earthly lives are mortal. Arcadia, a mountainous region in the central Peloponnese, Greece, was the rustic abode of Pan, depicted in literature and art as a land of innocence and ease, and was the title of Sir Philip Sidneys pastoral romance (1590)
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