Appropriation in the arts is the use of pre-existing objects or images with little or no transformation applied to them. The use of appropriation has played a significant role in the history of the arts (literary, visual, and musical).
Appropriation can be understood as "the use of borrowed elements in the creation of a new work." In the visual arts, to appropriate means to properly adopt, borrow, recycle or sample aspects (or the entire form) of man-made visual culture. Most notable in this respect are the Readymades of Marcel Duchamp. Other strategies include "re-vision, re-evaluation, variation, version, interpretation, imitation, proximation, supplement, increment, improvisation, prequel... pastiche, paraphrase, parody, homage, mimicry, shan-zhai, echo, allusion, intertextuality and karaoke." The term appropriation refers to the use of borrowed elements in the creation of a new work (as in 'the artist uses appropriation') or refers to the new work itself (as in 'this is a piece of appropriation art').
Inherent in our understanding of appropriation is the concept that the new work recontextualises whatever it borrows to create the new work. In most cases the original 'thing' remains accessible as the original, without change.
Other articles related to "appropriation art, appropriation, art":
... controversies Despite the long and important history of appropriation this artistic practice has recently resulted in contentious copyright issues which reflects more restrictive copyright ... are following the U.S lead toward more restrictive copyright, which risks making this artpractice difficult if not illegal ... Jeff Koons has also confronted issues of copyright due to his appropriationwork (see Rogers v ...