Mid To Late Career
Reiss began his association with the Met touring throughout North America during October–December 1901. His first performance with the company was in Toronto on 12 October as Remendado in Bizet's Carmen. He made his first appearance at the company's house in New York City on December 23, 1901 as both the Shepherd and the Steersman in Wagner's Tristan und Isolde. This was the beginning of a long association with the Met for Reiss, who appeared with the company every year for the next eighteen years in mostly tenor buffo roles. Most notably he sang in several world premiers with the company including: Nick in Puccini's La fanciulla del West, the Broom-maker in Humperdinck's Königskinder, Nial in Horatio Parker's Mona, the offstage male lover in Puccini's Il Tabarro, Richard II of England in Reginald de Koven's The Canterbury Pilgrims and Ragueneau in Walter Damrosch's Cyrano. His farewell performance on 14 April 1919 - again as Remendado - was his 1,070th performance with the company.
In addition to performances with the Met, Reiss returned periodically to Europe to appear in operas. From 1902-1907 he sang in several productions at the Bavarian State Opera. He also sang at the Hamburg State Opera (1904) and the Palais Garnier (1910). Reiss made his only other American appearances with the Chicago Grand Opera Company in 1911 and 1912. He appeared at the Royal Opera House in London at various times between 1902–1905 and 1924–1929, where he sang the roles of Valzacchi in Der Rosenkavalier, Mime in Der Ring des Nibelungen and David in Die Meistersinger von Nürnberg. After leaving the Met, he sang at the Volksoper Berlin (1923–25) and Berlin State Opera (1925–1930).
Upon retiring from the stage in 1930, Reiss resettled in Nice, France, where he lived until his death in 1940.
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