Description of Films
- Prelude to War (1942) (51:35) (Academy award as Documentary Feature) – this examines the difference between democratic and fascist states, and covers the Japanese conquest of Manchuria and the Italian conquest of Ethiopia. Capra describes it as "presenting a general picture of two worlds; the slave and the free, and the rise of totalitarian militarism from Japan's conquest of Manchuria to Mussolini's conquest of Ethiopia."
- The Nazis Strike (1943) (40:20) – covers Nazi geopolitics and the conquest of Austria, Czechoslovakia and Poland. Capra's description: "Hitler rises. Imposes Nazi dictatorship on Germany. Goose-steps into Rhineland and Austria. Threatens war unless given Czechoslovakia. Appeasers oblige. Hitler invades Poland. Curtain rises on the tragedy of the century—World War II."
- Divide and Conquer (1943) (56:00) – about the campaign in Benelux and the Fall of France. Capra's description: "Hitler occupies Denmark and Norway, outflanks Maginot Line, drives British Army into North Sea, forces surrender of France."
- The Battle of Britain (1943) (51:30) – depicts Britain's victory against the Luftwaffe. Capra's synopsis: "Showing the gallant and victorious defense of Britain by Royal Air Force, at a time when shattered but unbeaten British were only people fighting Nazis."
- The Battle of Russia (1943) (76:07) Part I and Part II – shows a history of Russian defense and Russia's battle against Germany. Capra's synopsis: "History of Russia; people, size, resources, wars. Death struggle against Nazi armies at gates of Moscow and Leningrad. At Stalingrad, Nazis put through meat grinder."
- The Battle of China (1944) (62:16) – shows Japanese aggression such as the Nanking Massacre and Chinese efforts such as the construction of the Burma Road and the Battle of Changsha. Capra's synopsis: "Japan's warlords commit total effort to conquest of China. Once conquered, Japan would use China's manpower for the conquest of all Asia."
- War Comes to America (1945) (64:20) – shows how the pattern of Axis aggression turned the American people against isolationism. Capra's synopsis: "Dealt with who, what, where, why, and how we came to be the U.S.A.—the oldest major democratic republic still living under its original constitution. But the heart of the film dealt with the depth and variety of emotions with which Americans reacted to the traumatic events in Europe and Asia. How our convictions slowly changed from total non-involvement to total commitment as we realized that loss of freedom anywhere increased the danger to our own freedom. This last film of the series was, and still is, one of the most graphic visual histories of the United States ever made."
Read more about this topic: Why We Fight
Other articles related to "description, description of":
... descriptive language, and organizing the description are the rhetorical choices to be considered when using a description ... A description is usually arranged spatially but can also be chronological or emphatic ... The focus of a description is the scene ...
... He gives a vivid and accurate description of the last colony of the European Beaver in Wales on the River Teifi, but spoils it by repeating the legend that beavers ... Likewise he gives a good description of an Osprey fishing, but adds the mythical detail that the bird has one webbed foot ... His description of Irish wildlife was harshly called "worthless" the better view perhaps is that despite its faults it gives a valuable glimpse of ...
... Unlike the keywords attribute, the description attribute is supported by most major search engines, like Yahoo! and Bing, while Google will fall back on this tag when information about the ... The description attribute provides a concise explanation of a Web page's content ... This allows the Web page authors to give a more meaningful description for listings than might be displayed if the search engine was unable to automatically create its own description based on the page ...
Famous quotes containing the words description of, films and/or description:
“The next Augustan age will dawn on the other side of the Atlantic. There will, perhaps, be a Thucydides at Boston, a Xenophon at New York, and, in time, a Virgil at Mexico, and a Newton at Peru. At last, some curious traveller from Lima will visit England and give a description of the ruins of St Pauls, like the editions of Balbec and Palmyra.”
—Horace Walpole (17171797)
“Television does not dominate or insist, as movies do. It is not sensational, but taken for granted. Insistence would destroy it, for its message is so dire that it relies on being the background drone that counters silence. For most of us, it is something turned on and off as we would the light. It is a service, not a luxury or a thing of choice.”
—David Thomson, U.S. film historian. America in the Dark: The Impact of Hollywood Films on American Culture, ch. 8, William Morrow (1977)
“An intentional object is given by a word or a phrase which gives a description under which.”
—Gertrude Elizabeth Margaret Anscombe (b. 1919)