Nijinsky's daughter Kyra married the Ukrainian conductor Igor Markevitch, and they had a son named Vaslav. The marriage ended in divorce.
Nijinsky's Diary was written during the six weeks he spent in Switzerland before being committed to the asylum, combining elements of autobiography with appeals for compassion toward the less fortunate, and for vegetarianism and animal rights. Nijinsky writes of the importance of feeling as opposed to reliance on reason and logic alone, and he denounces the practice of art criticism as being nothing more than a way for those who practice it to indulge their own egos rather than focusing on what the artist was trying to say. The diary also contains bitter and conflicted thoughts regarding his relationship with Diaghilev.
As a dancer, Nijinsky was extraordinary for his time. Nijinsky is responsible for changing audiences' perspective of the male dancer. He was a sensual performer and wore revealing costumes. He looked androgynous.
Nijinsky is immortalized in numerous still photographs, many of which were made by E.O. Hoppé, who extensively photographed the Ballets Russes London seasons between 1909 and 1921. However, no film exists of Nijinsky dancing; Diaghilev never allowed the Ballets Russes to be filmed, because he felt that the quality of film at the time could never capture the artistry of his dancers, and that the reputation of the company would suffer if people saw it only in short jerky films.
Read more about this topic: Vaslav Nijinsky
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