In its initial airing, the episode was viewed in 12.48 million homes and achieved a 4.9 Nielsen rating. It was the highest rated episode of the night in the 18–49 demographic, the sixteenth highest rated show of the week, and the fourth highest rated on Fox after two airings of the World Series and House. It was the highest rated episode since season 18's "The Wife Aquatic".
"Treehouse of Horror XIX" received mixed reviews from critics. Rick Bentley of the Seattle Times described it as a "paint-by-numbers episode". Robert Canning of IGN gave the episode a 7.9/10, calling it "funny, entertaining and even nostalgic only makes this yearly tradition that much better."
"It's the Grand Pumpkin, Milhouse" was regarded by reviewers as the best segment in the episode. Canning wrote, "this segment may not be all that gory, but it's funny and, quite honestly, it will just make you feel good", and Bentley described it as "a dead-on comedy assault of the Charlie Brown animated Halloween special." Rob Owen of the Pittsburgh Post-Gazette concurred, writing that it "succeeds because it offers sly cultural commentary." Show Patrol wrote "The nostalgia factor makes “Grand Pumpkin” the best of these amusing bits for me, but they all lack that trademark “Simpsons” brand of satirical smartness." Hal Boedecker of the Orlando Sentinel gave the episode a 4/5 and called the final segment a "witty parody of Charlie Brown's Halloween classic. The best gag, though, is a subtle one. Marge plays a trombone, a loving salute to the way the Peanuts specials portrayed adult voices."
Director Bob Anderson received an Annie Award nomination for "Best Directing in an Animated Television Production" but lost to Avatar: The Last Airbender.
Read more about this topic: Treehouse Of Horror XIX
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Famous quotes containing the word reception:
“Aesthetic emotion puts man in a state favorable to the reception of erotic emotion.... Art is the accomplice of love. Take love away and there is no longer art.”
—Rémy De Gourmont (18581915)
“I gave a speech in Omaha. After the speech I went to a reception elsewhere in town. A sweet old lady came up to me, put her gloved hand in mine, and said, I hear you spoke here tonight. Oh, it was nothing, I replied modestly. Yes, the little old lady nodded, thats what I heard.”
—Gerald R. Ford (b. 1913)
“To the United States the Third World often takes the form of a black woman who has been made pregnant in a moment of passion and who shows up one day in the reception room on the forty-ninth floor threatening to make a scene. The lawyers pay the woman off; sometimes uniformed guards accompany her to the elevators.”
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