Toronto Film Critics

Some articles on film critics, toronto film critics, film:

Ghost World (film) - Awards
... Won Chicago Film Critics Association—Best Supporting Actor (Buscemi) Golden Space Needle Award—Best Actress (Birch) Independent Spirit Award for Best First Screenplay (Clowes ... Film Critics Association—Best Screenplay (Clowes and Zwigoff) New York Film Critics Circle—Best Supporting Actor (Buscemi) Toronto Film Critics Association—Best Actress (Birch ...
Toronto Film Critics Association Award For Best Documentary Film
... The Toronto Film Critics Association Award for Best Documentary Film is one of the annual awards given by the Toronto Film Critics Association ...
43 (number) - Films
... In a film by Pixar called Cars, the champion racecar in the film, Strip "The King" Wheathers is racecar number 43 based on Richard Petty's car ... Petty also provides the voice of "The King" in the film ...
Guinea-Bissau - Culture - Film
... Flora Gomes is an internationally renowned film director his most famous film is "Nha Fala", English "My Voice" ... Gomes' Mortu Nega (Death Denied) (1988) was the first fiction film and the second feature film ever made in Guinea-Bissau ... (The first feature film was N’tturudu, by director Umban u’Kest in 1987.) At FESPACO 1989, Mortu Nega won the prestigious Oumarou Ganda Prize ...
Reunion - Film
... Reunion (1932 film) Reunion (1936 film), directed by Norman Taurog The Reunion (1963 film), Italian comedy film Reunion (1980 film), a 1980 television film ...

Famous quotes containing the words critics and/or film:

    It is healthier, in any case, to write for the adults one’s children will become than for the children one’s “mature” critics often are.
    Alice Walker (b. 1944)

    The motion picture is like a picture of a lady in a half- piece bathing suit. If she wore a few more clothes, you might be intrigued. If she wore no clothes at all, you might be shocked. But the way it is, you are occupied with noticing that her knees are too bony and that her toenails are too large. The modern film tries too hard to be real. Its techniques of illusion are so perfect that it requires no contribution from the audience but a mouthful of popcorn.
    Raymond Chandler (1888–1959)