Tim Carter (musicologist) - Bibliography


  • “Oklahoma!” The Making of an American Musical. (2007) New Haven and London: Yale University Press.
  • “Musical Sources,” “The Venetian Madrigals,” and “Intermedio IV: Lamento della ninfa (1638).” In John Whenham and Richard Wistreich (eds.), The Cambridge Companion to Monteverdi. (2007) Cambridge, Cambridge University Press, pp. 20–30, 179–94, 195–98
  • “Tutto ’l dí piango…: Petrarch and the ‘New Music’ in Early Seventeenth-Century Italy.’ In Loredana Chines (ed.), Il Petrarchismo: un modello di poesia per l’Europa. (2006) Rome: Bulzoni, vol. 1.
  • The Cambridge History of Seventeenth-Century Music. (2005) Editors Tim Carter & John Butt. Cambridge: Cambridge University Press.
  • “L’editoria musicale tra Cinque e Seicento.” In Carlo Fiore (ed.), Il libro di musica: per una storia delle fonti musicali in Europa, “De charta,” 7. (2004) Palermo: L’Epos, pp. 137–62
  • “In the Workshop of Rodgers and Hammerstein: New Light on Oklahoma!.” In C. Reardon and S. Parisi (eds), Music Observed: Studies in Memory of William C. Holmes. (2004) Warren, MI: Harmonie Park Press, pp. 55–64
  • “Che cosa è amor? Music and Love in Mozart’s Così fan tutte.” In B. Richardson et al. (eds.), Theatre, Opera, and Performance in Italy from the Fifteenth Century to the Present: Essays in Honour of Richard Andrews. ‘Occasional Papers of the Society for Italian Studies’, 6. (2004) Leeds: Society for Italian Studies, pp. 155–72
  • Monteverdi’s Musical Theatre. (2000) New Haven and London: Yale University Press.
  • Monteverdi and his Contemporaries. (2000) “Variorum Collected Studies Series,” CS690. Aldershot: Ashgate.
  • Music, Patronage and Printing in Late Renaissance Florence. (2000) “Variorum Collected Studies Series,” CS682. Aldershot: Ashgate.
  • Music in Late Renaissance & Early Baroque Italy. (1992) London: Batsford (Portland, OR, Amadeus Press).

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