Plot
The story is set in Rome, in the year 1921. Ulysses (Alain Delon) enrolls in the Italian Fascist party because he cannot find any employment. The first task entrusted to him by the party leads Ulysses to the printer Fossati, where he's hired as an apprentice. This brings him into contact with a family of anarchists, who will turn him into a reluctant hero for love of the beautiful Franca (Barbara Lass). However, at a time when he must make a decisive choice, Ulysses obeys neither the anarchists nor the fascists, and risks his life for a different idea of freedom.
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Other articles related to "plot, plots":
... Valjean arrives at Montfermeil on Christmas Eve ... He finds Cosette fetching water in the woods alone and walks with her to the inn ...
... throne of Scotland in 1567, she became the focus of numerous plots and intrigues to restore England to the Catholic fold ... throne on whose behalf anyone plotted against the queen, even if the claimant were ignorant of the plot, would be excluded from the line and executed ... who would benefit from the death of the Queen if a plot against her was discovered ...
... plot(x0,y0, x1,y1) dx=x1-x0 dy=y1-y0 D = 2*dy - dx plot(x0,y0) y=y0 for x from x0+1 to x1 if D > 0 y = y+1 plot(x,y) D = D + (2*dy-2*dx) else plot(x,y) D ...
... Zoltan opens another coffin shaken loose from the crypt, this one holding the body of an innkeeper, Nalder, who once owned the crypt ... Zoltan removes the stake from the innkeeper's chest, reanimating the innkeeper ...
... The points plotted in a Q–Q plot are always non-decreasing when viewed from left to right ... If the two distributions being compared are identical, the Q–Q plot follows the 45° line y = x ... agree after linearly transforming the values in one of the distributions, then the Q–Q plot follows some line, but not necessarily the line y = x ...
Famous quotes containing the word plot:
“James’s great gift, of course, was his ability to tell a plot in shimmering detail with such delicacy of treatment and such fine aloofness—that is, reluctance to engage in any direct grappling with what, in the play or story, had actually “taken place”Mthat his listeners often did not, in the end, know what had, to put it in another way, “gone on.””
—James Thurber (1894–1961)
“Ends in themselves, my letters plot no change;
They carry nothing dutiable; they won’t
Aspire, astound, establish or estrange.”
—Philip Larkin (1922–1986)
“The plot! The plot! What kind of plot could a poet possibly provide that is not surpassed by the thinking, feeling reader? Form alone is divine.”
—Franz Grillparzer (1791–1872)