Sussex - Symbols

Symbols

The flag of Sussex consists of six gold martlets, or heraldic swallows, on a blue background, blazoned as Azure, six martlets or. Officially recognised by the Flag Institute on 20 May 2011, its design is based on the heraldic shield of Sussex that first appeared in an atlas by John Speed in 1622. The significance of the six martlets may be to represent the traditional six sub-divisions of the county known as rapes. It may also be a canting reference to the title of the historic leading Sussex family, the Earls of Arundel, seated at Arundel Castle in the county, as the French for swallow is hirondelle.

Sussex by the Sea is regarded as the unofficial anthem of Sussex; it was composed by William Ward-Higgs in 1907, perhaps originally from the lyrics of Rudyard Kipling's poem entitled Sussex. Adopted by the Royal Sussex Regiment and popularised in World War I, it is sung at celebrations across the county, including those at Lewes Bonfire, and at sports matches, including those of Brighton and Hove Albion Football Club and Sussex County Cricket Club.

The county day, called Sussex Day, is celebrated on 16 June, the same day as the feast day of St Richard of Chichester, Sussex's patron saint, whose shrine at Chichester Cathedral was an important place of pilgrimage in the Middle Ages.

Sussex's motto, We wunt be druv, is a Sussex dialect expression meaning 'we will not be pushed around' and reflects the traditionally independent nature of Sussex men and women. The round-headed rampion, also known as the 'Pride of Sussex', was adopted as Sussex's county flower in 2002.

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Famous quotes containing the word symbols:

    The twentieth-century artist who uses symbols is alienated because the system of symbols is a private one. After you have dealt with the symbols you are still private, you are still lonely, because you are not sure anyone will understand it except yourself. The ransom of privacy is that you are alone.
    Louise Bourgeois (b. 1911)

    If the Americans, in addition to the eagle and the Stars and Stripes and the more unofficial symbols of bison, moose and Indian, should ever need another emblem, one which is friendly and pleasant, then I think they should choose the grapefruit. Or rather the half grapefruit, for this fruit only comes in halves, I believe. Practically speaking, it is always yellow, always just as fresh and well served. And it always comes at the same, still hopeful hour of the morning.
    Johan Huizinga (1872–1945)

    Children became an obsessive theme in Victorian culture at the same time that they were being exploited as never before. As the horrors of life multiplied for some children, the image of childhood was increasingly exalted. Children became the last symbols of purity in a world which was seen as increasingly ugly.
    C. John Sommerville (20th century)