Pinakothek Der Moderne
After the completion of his first projects in Munich and Dresden, Braunfels won several competitions. The first major competition he won was for Munich's Pinakothek der Moderne in 1992. This project took ten years to come to fruition and opened in late 2002 as one of the largest new museums in Germany. Braunfels garnered some prizes and lauding reviews for this building.
Peter Schjeldahl, reviewing the Pinakothek der Moderne in the New Yorker (January 13, 2003), wrote: "it is a big but self-effacing, "invisible" building: on the outside, a bland concrete-steel-and-glass shoebox; on the inside, a dream of subtly proportioned, shadowless, sugar-white galleries that branch off from an airy, three-story rotunda. In the effulgent atmosphere, you may know where the walls are only by where the pictures hang. I gratefully watched colors combust in Kirchners and Noldes under translucent, all-skylight ceilings. (I'll never again think of Expressionist color as generally sour and arbitrary.) On an ordinary rainy Tuesday in November, the place was thronged with people in festive spirits. The Moderne is a great success."
Famous quotes containing the word der:
“Under the lindens on the heather,
There was our double resting-place.”
—Walther Von Der Vogelweide (1170?1230?)